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Abstract

Where the previous chapter began with Elizabeth Barrett’s ambivalent opening to a diary she soon stopped keeping, this chapter starts with Arthur Munby’s efforts to stop a diary he could not seem to end. A barrister and minor poet, Munby is best known today as the secret lover and husband of Hannah Cullwick, a maid-of-all-work whose own diaries, kept at his behest, have become a touchstone for Victorian working-class women’s writing.1 But Munby is also notable for being one of nineteenth-century Britain’s most indefatigable diarists. His extant manuscripts include sixty-four volumes of diaries kept between 1859 and 1898, thirty-one volumes entitled Hannah and Visits to Hannah that consist largely of diary-like entries, and twelve notebooks of miscellaneous diary entries and sketches, mainly from vacations in Britain and abroad.2

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Notes

  1. See Liz Stanley, ed., The Diaries of Hannah Cullwick (New Brunswick, NJ: Rutgers University Press, 1984).

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  8. For one recent exception to this rule, see Rick Allen, “Munby Reappraised: The Diary of an English Flaneur,” The Journal of Victorian Culture 5.2 (Autumn 2000): 260–86.

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© 2011 Rebecca Steinitz

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Steinitz, R. (2011). Arthur Munby, the Endless Diary, and the Promise of Space. In: Time, Space, and Gender in the Nineteenth-Century British Diary. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230339606_3

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