Abstract
The image on the front of this book, The Radical Ladder’, cut by George Cruikshank, depicts the most revolutionary set of events seen in Britain since the 1640s. Printed in 1820 at the expense of ‘The Loyal Association’ — an organisation formed to combat radical literature and counteract ‘the mania of wild liberty … which is spreading in Britain’1 — it shows Queen Caroline, the estranged wife of the new King, George IV, near the top of a stepladder, supported by a republican rabble. Holding a burning torch in one hand, she reaches for a blazing crown with the other. The crown rests on a book placed on top of a Corinthian column that has scales of Justice at the bottom and rises to ‘Commons’, ‘Lords’ and ‘King’. The spine of the book carries the abbreviation ‘IHS’ — usually a Christogram, giving the first three letters of Jesus’s name in Greek.2 Behind Caroline, sheltering under her cloak, is a murderous Jacobin crew, all of whom are armed and wearing caps of liberty, with one holding a flag saying ‘Democratic Republic’. The steps of the ladder are inscribed with events that had occurred since the ending of the war in 1815. The first rung reads ‘Spa Fields Riot’, a radical meeting turned rowdy in December 1816.3 Next up is ‘Smithfield’, another large meeting held in July 1819,4 there follows ‘Hunt’s Procession’, referring to the radical leader Henry ‘Orator’ Hunt.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
See Robert Reid, The Peterloo Massacre (Heinemann, 1989), 117–19.
Frederick Jameson, The Political Unconscious: Narrative as Symbolically Social Act (London: Routledge, 2002), ix.
Clifford Siskin, The Work of Writing: Literature and Social Change in Britain, 1700–1830. (Baltimore: Johns Hopkins University Press, 1999) 2.
Frank Kermode, The Romantic Image (London: Fontana Press, 1971), 18–19.
Anne Janowitz, ‘“A voice from across the Sea”,: Communitarianism at the Limits of Romanticism’, At the Limits of Romanticism: Essays in Cultural, Feminist and Materialist Criticism, ed. Mary A. Favret and Nicola J. Watson (Bloomington, IN: Indiana University Press, 1994), 85.
Nigel Leask and Phillip Connell (eds.), Romanticism and Popular Culture in Britain and Ireland, (Cambridge: Cambridge University Press, 2009), 7.
Gary Dyer, British Satire and the Politics of Style, 1789–1832 (Cambridge: Cambridge University Press, 1997), 141.
Donald Read, Peterloo: the ‘Massacre’ and its Background (Manchester: Manchester University Press, 1958), 16. Interestingly, in a letter to The Times newspaper on 26 September 2008 Read wrote: ‘The crowd was certainly gathered to demand democratic reform, but it was in a festive mood. Incidentally, I say this as a historian of Peterloo who does not believe that the masses were at that time sufficiently educated to deserve the vote. This even includes my own contemporary Lancashire working-class family.’
The Journal of Mrs. Arbuthnot, ed. Francis Bamford and the Duke of Wellington, 2 vols. (Macmillan, 1950), I: 139.
Rev. Lionel Thomas Berguer, A Warning Letter to His Royal Highness the Prince Regent, Intended Principally as a Call Upon the Middle Ranks, At this Important Crisis (T. and T. Allman, 1819), 28.
Author information
Authors and Affiliations
Copyright information
© 2011 John Gardner
About this chapter
Cite this chapter
Gardner, J. (2011). Introduction: ‘The Radical Ladder’. In: Poetry and Popular Protest. Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print. Palgrave Macmillan, London. https://doi.org/10.1057/9780230307377_1
Download citation
DOI: https://doi.org/10.1057/9780230307377_1
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-32785-0
Online ISBN: 978-0-230-30737-7
eBook Packages: Palgrave Literature CollectionLiterature, Cultural and Media Studies (R0)