Abstract
This book is an encounter between two vocations: theatre and philosophy. Vocation itself is here evoked in its sense as a calling, an unready response to an insistent demand from elsewhere, rather than as a profession or occupation for which one is appropriately qualified. Such an encounter offers itself as an invocation to a theatre-philosophy, conceived neither as a philosophy of the theatre armed with the rigour of properly philosophical critique and analysis, nor as a corrective programme for thought considered lacking in a general theatricality — projects to which many others have been called since the beginnings of both theatre and philosophy. Instead, it finds itself suspended between the consolations of theatre and philosophy, seeking little more than to throw off the mourning and melancholia that hides out in the backward look of whatever is offered as consolation, in preference for the alien pleasures and possibilities of what was overlooked and what is yet to come.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Barbara Stafford provides an excellent introduction to the history of pathognomics in her Body Criticism: Imaging the Unseen in the Enlightenment, Cambridge, MA: MIT Press, 1991. It seems that pathognomy did not have to wait long for few, but ardent followers in the wake of the successes and excesses of physiognomy. The first explicit pathognomists appear to have been the Scottish physician James Parsons (1705–1770) and the German polymath Georg Christoph Lichtenberg (1742–1799), both critical of Lavaterian physiognomics at conceptual and ethical levels.
I am borrowing Alain Badiou’s determination of the task of philosophy (discussed later) as the gathering together of what he calls ‘truth processes’ in these four domains (Alain Badiou, Manifesto for Philosophy Followed by Two Essays: “The (Re)Turn of Philosophy Itself” and “Definition of Philosophy”, trans. Norman Madarasz, Albany: State University of New York Press, 1999).
Alain Badiou, Rhapsodie pour le Théâtre, Paris: Imprimeries Nationales, 1990. Translated into English as ‘Rhapsody for the Theatre’, trans. Bruno Bosteels, Theatre Journal 49, 1990, pp. 187–238.
See, for example, Alain Badiou, ‘Gilles Deleuze, The Fold: Leibniz and the Baroque’, in Constantin Boundas and Dorothy Olkowski, eds, Gilles Deleuze and the Theater of Philosophy, New York: Routledge, 1994; and Alain Badiou, Deleuze: The Clamor of Being, trans. Louise Burchill, Minneapolis: University of Minnesota Press, 2000.
Alain Badiou, Being and Event, trans. Oliver Feltham, New York: Continuum, 2006; and Logics of Worlds: Being and Event II, trans. Alberto Toscano, New York: Continuum, 2009.
Emmanuel Levinas, Otherwise than Being, or, Beyond Essence, trans. Alphonso Lingis, Pittsburgh, PA: Duquesne University Press, 1998.
Emmanuel Levinas, Totality and Infinity: An Essay on Exteriority, trans. Alphonso Lingis, Pittsburgh, PA: Duquesne University Press, 1969.
Emmanuel Levinas, Existence and Existents, trans. Alphonso Lingis, The Hague: Nijhoff, 1978; and De l’évasion, Paris: Fata Morgana, 1982 (first published in French in 1935), and translated as On Escape, trans. Bettina Burgo, Stanford, CA.: Stanford University Press, 2003.
In particular, see Alphonso Lingis, Foreign Bodies, New York: Routledge, 1994; The Imperative, Bloomington: Indiana University Press, 1998; and Dangerous Emotions, Berkeley: University of California Press, 2000.
Michel Tournier, Friday, trans. Norman Denny, New York: Doubleday, 1969.
Gilles Deleuze, Expressionism in Philosophy: Spinoza, trans. Martin Joughin, New York: Zone Books. 1990, p. 303.
For differing perspectives on this topic, see, for example, Terry Eagleton, After Theory, London: Penguin, 2004; and Derek Attridge and Jane Elliott (eds), Theory After ‘Theory’, London: Routledge, 2010.
Copyright information
© 2011 Simon Bayly
About this chapter
Cite this chapter
Bayly, S. (2011). Introduction. In: A Pathognomy of Performance. Palgrave Macmillan, London. https://doi.org/10.1057/9780230306936_1
Download citation
DOI: https://doi.org/10.1057/9780230306936_1
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-32277-0
Online ISBN: 978-0-230-30693-6
eBook Packages: Palgrave Theatre & Performance CollectionLiterature, Cultural and Media Studies (R0)