Abstract
Ovid’s tale of Hermaphroditus in the fourth book of Metamorphoses provides an etymology for a rare anatomical abnormality that challenges cultural concepts of sex, gender, and sexuality. According to Lauren Silberman, ‘references prior to Ovid ascribe the Hermaphrodite’s bisexual-ity to birth, not metamorphosis’.2 In Ovid’s original narrative, the nymph Salmacis desires Hermaphroditus, the beautiful fifteen-year-old son of Hermes and Aphrodite. Rebuffed by him, the nymph hides and watches as Hermaphroditus undresses and swims in her pool. Salmacis is unable to contain herself, and leaps naked into the water. She forces herself upon the boy, whose continued resistance causes Salmacis to pray never to be separated from him. The gods, ever fickle, transform the two into a single being, the original hermaphrodite, ‘Ye could not say it was a perfect boy/Nor perfect wench: it seemed both and none of both to beene’ (4.469–70).3 Hermaphroditus’ retaliation is a request to his parents to make the pool of Salmacis eternally emasculating. Nothing more is said concerning Hermaphroditus’ life in Ovid or any other classical source.
An earlier version of this chapter has already been published in The Survival of Myth: Innovation, Singularity and Alterity, ed. David Kennedy and Paul Hardwick (Newcastle upon Tyne: Cambridge Scholars Publishing, 2010), pp. 90–109. Published with the permission of Cambridge Scholars Publishing.
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Notes
Lauren Silberman, ‘Mythographic Transformations of Ovid’s Hermaphrodite’, Sixteenth Century Journal, 19 (1988), 643–52 (p. 645).
William Keach, Elizabethan Erotic Narratives: Irony and Pathos in the Ovidian Poetry of Shakespeare, Marlowe, and Their Contemporaries (Sussex: The Harvester Press Ltd., 1977), p. 191.
Fisher, The True Trojanes (London, 1633), 5.1.32, Sig. H3r.
Weever, Faunus and Melliflora (London, 1600), 1. 827.
Linda Woodbridge, Women and the English Renaissance: Literature and the Nature of Womankind, 1540–1620 (Brighton: Harvester Press Ltd., 1984), p. 325.
Timothy Kendall, ‘Out of Pulix an auncient Poet. Hermaphroditus speaketh’ in Flowers of Epigrammes (London, 1577), Sig. Ar.
William Warner, Albion’s England (London, 1602), p. 43.
Sir John Harington, ‘37: The Hermaphrodite’ in Epigrams Both Pleasant and Serious (London, 1615), Sig. E3v.
Marie Delcourt, Hermaphrodite: Myths and Rites of the Bisexual Figure in Classical Antiquity, trans. Jennifer Nicholson (London: Studio Books, 1961), p. 45.
George Wither, ‘The Occasion of this Worke’ in Juvenilia (London, 1633), p. 9.
Bateman, The Travayled Pilgrime (London, 1569), Sig. K4v.
Joyce E. Salisbury, The Beast Within: Animals in the Middle Ages (London: Routledge, 1994), passim.
James Ellis, Sexuality and Citizenship: Metamorphosis in Elizabethan Erotic Verse (Toronto: University of Toronto Press, 2003), pp. 48–51; pp. 145–65. This is especially relevant to Peend’s text, as it is dedicated to those studying at the Inns of Court.
George Peele, The Arraygnement of Paris (London, 1584), 1.5.29–30, Sig. Biiv.
Jonathan Bate, Shakespeare and Ovid (Oxford: Clarendon Press, 1993), p. 63.
Abraham Fraunce, ‘Loving Lady Venus bare Mercury, Hermaphroditus’, in The Third Part of the Countesse of Pembrokes Yuychurch (London, 1592), 11. 2–3, (p. 48).
Stephen Orgel, Impersonations: The performance of Gender in Shakespeare’s England (Cambridge: Cambridge University Press, 1996), p. 103.
Lisa Jardine, Still Harping on Daughters: Women and Drama in the Age of Shakespeare (New York: Harvester Wheatsheaf, 1983), p. 18.
Bruce R. Smith, Homosexual Desire in Shakespeare’s England: A Cultural Poetics (Chicago: University of Chicago Press, 1991), p. 136.
Phillip Stubbes, Anatomy of Abuses (London, 1583), Sig. F5–F5v, emphasis added.
Laura Levine, Men in Women’s Clothing: Anti-theatricality and Effeminization 1579–1642 (Cambridge: Cambridge University Press, 1994), p. 22.
Jenny C. Mann, ‘How to Look at a Hermaphrodite in Early Modern England’, SEL 46 (2006), 67–91 (p. 68).
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© 2011 Sarah Carter
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Carter, S. (2011). ‘Not perfect boy nor perfect wench’: Hermaphroditus. In: Ovidian Myth and Sexual Deviance in Early Modern English Literature. Palgrave Macmillan, London. https://doi.org/10.1057/9780230306073_5
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DOI: https://doi.org/10.1057/9780230306073_5
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