Abstract
I consider myself privileged for having been among the first students who attended Richard Schechner’s Performance Theory class at the Department of Graduate Drama, New York University in the spring semester, 1980. Later that year, the department’s name was changed to the Department of Performance Studies.
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1. Norman Cousins, Anatomy of an Illness as Perceived by the Patient. New York: W. W. Norton, 1964.
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9. Kimberly A. Christen, Clown and Trickster: An Encyclopedia of Tradition and Culture. Denver, Co: ABC-CLIO, 1998, 71-2, 155-6.
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15. Publicity brochure (in Hebrew), Theatre Department, the University of Haifa, 2008.
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© 2011 Atay Citron
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Citron, A. (2011). Medical Clowning and Performance Theory. In: Harding, J.M., Rosenthal, C. (eds) The Rise of Performance Studies. Studies in International Performance. Palgrave Macmillan, London. https://doi.org/10.1057/9780230306059_19
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DOI: https://doi.org/10.1057/9780230306059_19
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-31806-3
Online ISBN: 978-0-230-30605-9
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