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Whilst not easily categorised as an ‘evangelical’ herself (she was in fact Episcopalian), Hamilton conveys overtones of Christianity that align Translation of the Letters of a Hindoo Rajah chronologically, if not denominationally, with the Evangelical Revival that emerged in Britain in the mid to late eighteenth century.1 This movement harked back to the ‘great awakening’ experienced by Methodists and other dissenting groups in the mid eighteenth century, but swiftly spread to the established Church of England, where evangelical clergy rose to prominence around the country. The Evangelical Revival has long been acknowledged as a force in early nineteenth-century culture and society, but has more recently been given its due as a prevailing influence on the culture of empire in Britain.2 Its impact, traced over the texts covered in this chapter, centred on the growth of the missionary movement and its drive to convert Britain’s Indian subjects to Christianity, a change from the religious tolerance practised under the governorship of Hastings and promulgated by Jones. Indian religion, particularly Hinduism, became less an object of scholarly curiosity and increasingly one of moral alarm and revulsion in the eyes of the assurgent evangelical lobby. Hindu beliefs, ceremonies and rites were construed in new ways that may be characterised as gothic.

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Notes

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© 2011 Andrew Rudd

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Rudd, A. (2011). Gothic Sympathy and Missionary Writing. In: Sympathy and India in British Literature, 1770–1830. Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print. Palgrave Macmillan, London. https://doi.org/10.1057/9780230306004_5

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