Skip to main content

‘City of Change and Challenge’: The Cine-Societies’ Response to the Redevelopment of Liverpool in the 1960s

  • Chapter
The City and the Moving Image

Abstract

Commissioned as part of Liverpool’s 800th birthday celebrations in 2007, the British premiere of Of Time and the City (Terence Davies, 2008) in the city’s Philharmonic Hall in 2008 was celebrated as a major European Capital of Culture event. Hailed at Cannes as a distinctly ‘Terence Davies’ film, Of Time and the City is a personal triumph for Davies, returning after an eightyear absence from film making to the place of his birth and the memories that inspired his acclaimed semi-autobiographical films Distant Voices, Still Lives (1988) and The Long Day Closes (1992). A bitter-sweet love song to his native city composed of 85 per cent archive footage, most of it shot in Liverpool between the 1940s and the early 1970s, Of Time and the City traces the exterior spaces and places of childhood and adolescence evoked but never seen in these earlier films.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Bibliography

  • Broadbent, J. (1936), ‘The Fascination of Amateur Cine Photography: The Activities of the Wallasey Amateur Cine Club’, The Liverpolitan, January: 39.

    Google Scholar 

  • Bruno, G. (1997), ‘Site-Seeing: Architecture and the Moving Image’, Wide Angle, 19(4): 8–24.

    Article  Google Scholar 

  • Bruno, G. (2002), Atlas of Emotion: Journeys in Art, Architecture and Film (New York: Verso).

    Google Scholar 

  • Coad, M. and Coad, J. (undated), IAC The Film and Video Institute: A History of the First 50 Years 1932–1982 (Surrey: Institute of Amateur Cinematographers).

    Google Scholar 

  • Cohen, S. (2007), Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles (Aldershot, Hants: Ashgate).

    Google Scholar 

  • Chalfen, R. (1987), Snapshot Versions of Life, Bowling Green, Ohio: Bowling Green State University Popular Press.

    Google Scholar 

  • City Centre Planning Group (1965), Liverpool City Centre Plan (City and County Borough of Liverpool).

    Google Scholar 

  • Couch, C. (2003). City of Change and Challenge: Urban Planning and Regeneration in Liverpool (Aldershot, Hants: Ashgate).

    Google Scholar 

  • Foucault, M. (1980). ‘The Eye of Power’, in C. Gordon (ed.), Power/Knowledge: Selected Interviews and Other Writings 1972–1977 by Michel Foucault (London: Harvester Wheatsheaf), pp. 146–65.

    Google Scholar 

  • Fullerton, J. and King, E. (2005), ‘Local Views, Distant Scenes: Registering Affect in Surviving Mexican Actuality Films of the 1920s’, Film History, 17: 766–87.

    Google Scholar 

  • Gunning, T. (1997), ‘Before Documentary: Early Nonfiction Film and the “view” Aesthetic’, in D. Hertogs and N. de Klerk (eds), Uncharted Territory: Essays on Early Nonfiction Film (Amsterdam: Stichting Nederlands Filmmuseum), pp. 9–24.

    Google Scholar 

  • Hallam, J. (2007), ‘Mapping City Space: Independent Filmmakers as Urban Gazetteers’, Journal of British Cinema and Television, 4(2): 272–84.

    Article  Google Scholar 

  • Hallam, J. and Roberts, L. (2009), ‘Projecting Place: Mapping the City in Film’, Geospatial Computing for the Arts, Humanities and Cultural Heritage, 10 December, IEEE workshop papers, University of Oxford.

    Google Scholar 

  • Hogenkamp, B. and Lauwers, M. (1997), ‘In Pursuit of Happiness? A Search for the Definition of Amateur Film’, in N. Kapstein (ed.), Jubilee Book. Essays on Amateur Film (Charleroi, Association Europénne Inédits), pp. 107–16.

    Google Scholar 

  • Jarman, D. (1994), ‘A Different Kind of British Cinema’, The Terence Davies Trilogy VHS publicity release, reprinted in the Terence Davies Collection (UK 2008) (London, BFI).

    Google Scholar 

  • Kuhn, A. (2000), ‘A Journey through Memory’, in S. Radstone (ed.), Memory and Methodology (Oxford and New York: Berg), pp. 179–96.

    Google Scholar 

  • Landsberg, A. (2004), Prosthetic Memory: The Transformation of American Remeberance in the Age of Mass Culture (New York: Columbia University Press).

    Google Scholar 

  • MacDonald, M. (2006), ‘Performing Memory on Television: Documentary and the 1960s’, Screen 47(3): 327–45.

    Article  Google Scholar 

  • McKeag, E. L. (1934), ‘Making a Documentary Film’, Pathescope Monthly, March: 5.

    Google Scholar 

  • Norris, Nicholson H. (1997), ‘In Amateur Hands: Framing Time and Space in Home- movies’, History Workshop Journal, 43: 199–212.

    Google Scholar 

  • Norris, Nicholson H. (2002), ‘Picturing the Past: Archival Film and Historical Landscape Change’, Landscapes, 1: 81–100.

    Google Scholar 

  • Norris Nicholson, H. (2007), ‘Virtuous or Virtual Histories?: Changing Ways of Working with Archival Film Footage’, presented at Future Histories of the Moving Image, University of Sunderland.

    Google Scholar 

  • Roberts, L. (2010), ‘Dis/embedded Geographies of Film: Virtual Panoramas and the Touristic Consumption of Liverpool Waterfront’, Space and Culture 13(1): 54–74.

    Article  Google Scholar 

  • Roberts, L. and Koeck, R. (2007), ‘The Archive City: Reading Liverpool’s Urban Landscape Through Film’, in C. Grunenberg and R. Knifton (eds), Centre of the Creative Universe: Liverpool and the Avant-Garde (Liverpool: Liverpool University Press), pp. 82–93.

    Google Scholar 

  • Shand, R. (2009), ‘Amateur Cinema Re-Located: Localism in Fact and Fiction’, in I. Craven (ed.), Movies on Home Ground: Explorations in Amateur Cinema (Newcastle upon Tynne, Cambridge Scholars Publishing), pp. 156–81.

    Google Scholar 

  • Shankland, G. (1962), City and County Borough of Liverpool Planning Consultants Report No. 7, Central Area Roads: Inner Motorway System (Liverpool: Liverpool City Council).

    Google Scholar 

  • Smith, J. (1959), ‘The Most Exciting Film Making’, Amateur Cine World 22 (12): 1230–2.

    Google Scholar 

  • Sturken, M. (2008), ‘Memory, Consumerism and Media: Reflections on the Emergence of the Field’, Memory Studies 1(1): 73–8.

    Article  Google Scholar 

  • Tilston, A. (1991), ‘Forty Years in Amateur Filmmaking’, Tripod News North West, 67: 5–6.

    Google Scholar 

Download references

Authors

Editor information

Richard Koeck Les Roberts

Copyright information

© 2010 Julia Hallam

About this chapter

Cite this chapter

Hallam, J. (2010). ‘City of Change and Challenge’: The Cine-Societies’ Response to the Redevelopment of Liverpool in the 1960s. In: Koeck, R., Roberts, L. (eds) The City and the Moving Image. Palgrave Macmillan, London. https://doi.org/10.1057/9780230299238_5

Download citation

Publish with us

Policies and ethics