Skip to main content

The Cinematic Production of Iconic Space in Early Films of London (1895–1914)

  • Chapter
  • 494 Accesses

Abstract

In this quote from Bram Stoker’s novel Dracula, Count Dracula tells Jonathan Harker about his intention to move to London (Stoker, 1993: 31). Dracula, one of a large number of nineteenth-century novels to address urban life in London, was published in 1897 when cinematography was just two years old. At the turn of the twentieth century, Victorian culture’s long-lasting fascination with London migrated into early non-fiction films revealing aspects of urban life at the heart of the British Empire (Figure 11.1).

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   84.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Bibliography

  • Baratay, E. and Hardouin-Fugier, E. (2003). Zoo: A History of Zoological Gardens in the West (London: Reaktion Books).

    Google Scholar 

  • Barringer, T. (1998). ‘The South Kensington Museum and the colonial project’, in T. Barringer and T. Flynn (eds), Colonialism and the Object: Empire, Material Culture and the Museum (London and New York: Routledge), pp. 11–27.

    Google Scholar 

  • Benjamin, W. (1999). ‘Material for the Exposé of 1935’, in Rolf Tiedemann (ed.), The Arcades Project (Cambridge, MA and London: Belknap Press), pp. 899–918.

    Google Scholar 

  • Bennett, T. (1995). The Birth of the Museum (London and New York: Routledge).

    Google Scholar 

  • Berman, M. (1988). All That is Solid Melts Into Air: The Experience of Modernity (New York and London: Penguin).

    Google Scholar 

  • Black, B. (2000). On Exhibit: Victorians and Their Museums (Charlottesville and London: University Press of Virginia).

    Google Scholar 

  • Booth, C. (1891). Life and Labour of People in London (London and Edinburgh: Williams and Norgate).

    Google Scholar 

  • Cinquegrani, M. (2009). ‘The Nexus of the Empire: Early Actuality Films of London at the Turn of the Twentieth Century’, Journal of British Cinema and Television, 6 (1), pp. 207–19.

    Article  Google Scholar 

  • Corkin, S. (1996). Realism and the Birth of the Modern United States (Athens and London: University of Georgia Press).

    Google Scholar 

  • Cosgrove, D. (2001). Apollo’s Eye: A Cartographic Genealogy of the Earth in the Western Imagination (Baltimore and London: John Hopkins University Press).

    Google Scholar 

  • Driver, F. (2001). Geography Militant: Cultures of Exploration and Empire (Oxford and Malden, MA: Blackwell).

    Google Scholar 

  • Driver, F. and Gilbert, D. (1998). ‘Heart of Empire? Landscape, Space and Performance in Imperial London’, Environment and Planning D: Society and Space, 16 (1), pp. 11–28.

    Article  Google Scholar 

  • Foucault, M. (1981). Power/Knowledge: Selected Interviews and Writings, 1972–1977 (New York: Pantheon).

    Google Scholar 

  • Foucault, M. (1994). The Order of Things: An Archaeology of Human Sciences (New York: Vintage).

    Google Scholar 

  • Gilbert, D. and Henderson, F. (2002). ‘London and the Tourist Imagination’, in Pamela K. Gilbert (ed.), Imagined Londons (New York: State University of New York Press), pp. 121–36.

    Google Scholar 

  • Hassam, A. (2003). ‘Portable Iron Structures and Uncertain Colonial Spaces at the Sydenham Crystal Palace’, in F. Driver and D. Gilbert (eds), Imperial Cities: Landscape, Display and Identity (Manchester and New York: Manchester University Press, 2nd edn), pp. 174–93.

    Google Scholar 

  • Hobsbawm, E. (2006). The Age of Empire: 1875–1914 (London: Abacus, 5th edn).

    Google Scholar 

  • Horrall, A. (2001). Popular Culture in London c. 1890–1918: The Transformation of Entertainment (Manchester and New York: Manchester University Press).

    Google Scholar 

  • Lefebvre, H. (1991). The Production of Space (Oxford: Blackwell; trans. by Donald Nicholson-Smith and first published as La production de l’espace in 1974).

    Google Scholar 

  • Levell, N. (2000). Oriental Visions: Exhibitions, Travel, and Collecting in the Victorian Age (London: Horniman Museum and Gardens).

    Google Scholar 

  • Mayhew, H. (1861). London Labour and the London Poor: the Condition and Earnings of Those that Will Work, Cannot Work, and Will Not Work (London: C. Griffin).

    Google Scholar 

  • Mitchell, T. (1991). Colonizing Egypt (Berkeley and Los Angeles: California University Press).

    Google Scholar 

  • Mullan, B. and Marvin, G. (1999). Zoo Culture (Urbana: University of Illinois Press).

    Google Scholar 

  • Panofsky, E. (1939). Studies in Iconography: Humanistic Themes in the Art of the Renaissance (New York and Oxford: Oxford University Press).

    Google Scholar 

  • Prakash, G. (1999). Another Reason: Science and the Imagination of Modern India (Princeton, NJ: Princeton University Press).

    Google Scholar 

  • Richards, T. (1990). The Commodity Culture of Victorian England (Chicago and London: Stanford University Press).

    Google Scholar 

  • Richards, T. (1993). The Imperial Archive: Knowledge and the Fantasy of Empire (London and New York: Verso).

    Google Scholar 

  • Ryan, D. (2003). ‘Staging the Imperial City: The Pageant of London, 1911’, in F. Driver and D. Gilbert (eds), Imperial Cities: Landscape, Display and Identity (Manchester and New York: Manchester University Press, 2nd edn), pp. 117–35.

    Google Scholar 

  • Said, E. (1994). Culture and Imperialism (London: Vintage).

    Google Scholar 

  • Schneer, J. (1999). London 1900: The Imperial Metropolis (New Haven and London: Yale University Press).

    Google Scholar 

  • Sennett, R. (1994). Flesh and Stone: The Body of the City in Western Civilization (London and Boston, MA: Faber and Faber).

    Google Scholar 

  • Stoker, B. (1993). Dracula (London: Penguin; first published in 1897).

    Google Scholar 

Download references

Authors

Editor information

Richard Koeck Les Roberts

Copyright information

© 2010 Maurizio Cinquegrani

About this chapter

Cite this chapter

Cinquegrani, M. (2010). The Cinematic Production of Iconic Space in Early Films of London (1895–1914). In: Koeck, R., Roberts, L. (eds) The City and the Moving Image. Palgrave Macmillan, London. https://doi.org/10.1057/9780230299238_12

Download citation

Publish with us

Policies and ethics