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Monster Rallies

The War with the Chartists, the ‘Sally Army’ and the Rebellious Schoolchildren of London

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Abstract

The poet travelling across Westminster Bridge in the early dawn on that quiet September morning in 1802 was a man with a murky past. William Wordsworth had fled France during the Terror leaving a pregnant girlfriend and revolutionary idealism behind him. Wordsworth was one of a new breed of artists whose ‘Romanticism’ matched the democratic fervour of the European Continent. His sonnet ‘Upon Westminster Bridge’ recorded the city one early autumn dawn as a ‘mighty heart’ on the brink of fulfilling another day’s potential. For Wordsworth, as for the revolutionary artists he inspired, men such as North Londoner John Keats, the city was a living entity suffused with the life of the multitude.

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Notes

  1. Rodney Mace, Trafalgar Square: Emblem of Empire (London: Lawrence and Wishart, 1976), p. 149.

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  2. Robert W. Gould and Michael J. Waldren, London’s Armed Police (London: Arms and Armour Press, 1988), p. 14.

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  3. Robert Reiner, The Politics of the Police (Hassocks, Sussex: Harvester, 1992), pp. 1–2.

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  4. Carol Lansbury, The Old Brown Dog: Women, Workers and Vivisection in Edwardian England (Madison: University of Wisconsin Press, 1985), p. 10.

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  5. Philip Thurmond Smith, Policing Victorian London (Westport, Connecticut: Greenwood Press, 1985), p. 145.

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  6. In Stephen Humphries, Hooligans or Rebels? An Oral History of Working-Class Childhood and Youth 1889–1939 (Oxford: Basil Blackwell, 1981), p. 104.

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© 2010 Clive Bloom

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Bloom, C. (2010). Monster Rallies. In: Violent London. Palgrave Macmillan, London. https://doi.org/10.1057/9780230289475_10

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  • DOI: https://doi.org/10.1057/9780230289475_10

  • Publisher Name: Palgrave Macmillan, London

  • Print ISBN: 978-0-230-27559-1

  • Online ISBN: 978-0-230-28947-5

  • eBook Packages: Palgrave History CollectionHistory (R0)

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