Abstract
At the close of his celebrated essay, ‘Structure, Sign, and Play in the Discourse of the Human Sciences’, Jacques Derrida imagines, in all its monstrosity, a ‘birth […] in the offing’1. Derrida has in mind a coming episteme in which the structurality of structure comes to be most fully thought, a period in which the reassuring structures of belief and of thought are placed under laborious interrogation. Derrida’s metaphor can be borrowed and adapted for other anticipated births, such as the renaissance of new nationhood, or of imagined post-nationhood. Derrida leaves us on the threshold of change, with existing structures prone to excavation or deconstruction in much the same way as the texts that I consider in this essay leave off at a moment of traumatic cultural change, and at a point where any certainties held out by the past are rapidly dissolving.
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Notes
J. Derrida, Writing and Difference ( London: Routledge and Kegan Paul, 1978 ), p. 293.
C. Tóibín, The Heather Blazing (London: Picador, 1993), p. 90. Subsequent references will be cited parenthetically in the text.
P. McCabe, The Butcher Boy (London: Picador, 1993), p. 1. Subsequent references will be cited parenthetically in the text.
G. Deleuze and F. Guattari, A Thousand Plateaus: Capitalism and Schizophrenia ( London: Athlone Press, 1988 ), p. 27.
M. Moynihan (ed.), Speeches and Statements by Eamon de Valera: 1917–73 ( Dublin: Gill and Macmillan, 1980 ), p. 466.
D. Kiberd, Inventing Ireland: the Literature of the Modern Nation ( London: Jonathan Cape, 1995 ), p. 609.
See D. Kiberd, Inventing Ireland: the Literature of the Modern Nation (London: Jonathan Cape, 1995), p. 609.
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© 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited
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Herron, T. (2000). ContamiNation: Patrick McCabe and Colm Tóibín’s Pathographies of the Republic. In: Harte, L., Parker, M. (eds) Contemporary Irish Fiction. Palgrave Macmillan, London. https://doi.org/10.1057/9780230287990_9
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DOI: https://doi.org/10.1057/9780230287990_9
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