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Organic Vagaries: Coleridge’s Theoretical Work

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Romantic Organicism
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Abstract

Commentators of Coleridge’s Biographia Literaria (1817) have to a large degree been divided between adulation and contempt — between awestruck admiration for the way in which the work lays the foundations of a philosophically informed criticism, on the one hand, and scathing criticism of how those same foundations are borrowed, and at times simply stolen, from earlier German sources, on the other.1 What seems to have not been fully comprehended, though, is how Coleridge displaces and selects from those German precedents. This displacement is related to his gradual transition from pantheism to a relatively dogmatic form of Christianity — a transition authoritatively explored by Thomas McFarland.2 But other displacements have been ignored. In this chapter I will home in on one in particular, by providing an elucidation of how Coleridge largely suppresses the radical consequences of the organicism of German idealism.

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Notes

  1. Norman Fruman’s Coleridge: The Damaged Archangel (London: Allen and Unwin, 1972).

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  2. Walter Jackson Bate, Coleridge (London: Macmillan, 1969), 148.

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  4. Samuel Taylor Coleridge, Biographia Literaria, or Biographical Sketches of My Literary Life and Opinions, volume I, in Collected Works, volume 7:1 (edited by James Engell and W. Jackson Bate. London: Routledge & Kegan Paul, 1983), 25.

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  5. Samuel Taylor Coleridge, Biographia Literaria, or Biographical Sketches of My Literary Life and Opinions, volume II, in Collected Works, volume 7:2 (edited by James Engell and W. Jackson Bate. London: Routledge & Kegan Paul, 1983), 65.

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  6. Kathleen Wheeler in Sources, Processes and Methods in Coleridge’s ‘Biographia Literaria’ (Cambridge: Cambridge University Press, 1980), 122.

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  13. David Jasper has distinguished Coleridge’s stance on this matter from those of some of his less obviously Christian contemporaries, in The Sacred and the Secular Canon in Romanticism: Preserving the Sacred Truths (London: Macmillan, 1999), 37.

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© 2003 Charles I. Armstrong

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Armstrong, C.I. (2003). Organic Vagaries: Coleridge’s Theoretical Work. In: Romantic Organicism. Palgrave Macmillan, London. https://doi.org/10.1057/9780230287754_4

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