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Transcendental Imagination, Schematism and Judgment

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Kant and the Ends of Aesthetics

Abstract

One of the greatest controversies in Kant scholarship concerns the reading of the Transcendental Deduction.1 Kant himself was well aware of the difficulty of the discussion undertaken in this section of the First Critique. In the Preface to the first edition he described the ‘enquiries’ undertaken there as most important for ‘exploring the faculty we entitle understanding, and for determining the rules and limits of its employment’ (Axvi) and as having cost him ‘the greatest labour’. The enquiry is stated there to have two sides. One refers to ‘the objects of pure understanding’ and is intended to ‘expound and render intelligible the objective validity of its a priori concepts’, which is ‘essential’ for Kant’s purposes (Axvi). The other side seeks to investigate the pure understanding itself, ‘its possibility and the cognitive faculties upon which it rests’, and is therefore concerned with the subjective aspects of the faculty. This latter side of the investigation is ‘of great importance for my chief purpose’, but ‘it does not form an essential part of it’ (Axvi–xvii). He is concerned to stress that even if the subjective side of the deduction does not convince, this does not touch his objective demonstration.

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Notes

  1. See, for example, Martin Heidegger (1929) Kant and the Problem of Metaphysics (trans. by James S. Churchill, 1962: Indiana University Press: Bloomington)

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  2. Norman Kemp Smith (1918) A Commentary to Kant’s Critique of Pure Reason (Macmillan: London, 2nd edition, 1923)

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  3. Sarah Gibbons (1994) Kant’s Theory of Imagination (Clarendon Press: Oxford)

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  4. Wayne Waxman (1991) Kant’s Model of The Mind: A New Interpretation of Transcendental Idealism (Oxford University Press: Oxford).

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  5. In his own copy of the First Critique Kant altered this sentence so that imagination is no longer spoken of as a ‘function of the soul’ but rather a ‘function of the understanding’. This cited in Heidegger (op. cit., p. 168) and also in Rudolf A. Makkreel (1990) Imagination and Interpretation In Kant: The Hermeneutical Import of The Critique of Judgment (University of Chicago Press: Chicago and London), p. 29. Makkreel suggests on the basis of this evidence that the reappearance of the unamended sentence in the second edition of the First Critique was ’an oversight on Kant’s part’. I will suggest otherwise.

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  6. This problem is made much of by George Schrader. Cf. Schrader (1953–4) ‘The Status of Teleological Judgment in the Critical Philosophy’ Kant-Studien 45 and see my earlier response to his account in Gary Banham (1996) ’Kant’s Critique of Teleological Judgment and the Purposive Unity of Critical Philosophy’ (Manchester Papers in Philosophy and Phenomenology, No. 3: MMU, Dept of Politics and Philosophy, Working Papers Series).

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© 2000 Gary Banham

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Banham, G. (2000). Transcendental Imagination, Schematism and Judgment. In: Kant and the Ends of Aesthetics. Palgrave Macmillan, London. https://doi.org/10.1057/9780230287600_3

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