Abstract
Scipio Slataper described himself as Slav, and wished to be Slav and a bar-barian.1 In 1912, when he was only 24 years old, he published Il mio carso, a novel which, despite being subtitled ‘lyrical autobiography’, begins with a dramatic movement in three parts, in which ‘I’ is opposed to ‘you’, ‘savagery’ to ‘Italianità’, and the ‘fatherland’ to ‘here’:
I would like to tell you: I was born in the Carso, in a hut with a thatched roof, blackened by rain and smoke … I would like to tell you: I was born in Croatia, in the great oak forest …
I would like to tell you: I was born on the Moravian plain and I used to run like the hare … Then I came here, I tried to tame myself, I learned Italian, I chose my friends from among the most educated youth; but soon I must return to my fatherland, for here I don’t feel too good.2
People think it is a matter of eternal truths when it is merely a matter of adjectives.
Roberto Bazlen
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Notes
Slataper, Il mio carso (Rome: Editori Riuniti, 1982), p. 31.
Bazlen, Note senza testo (Milan: Adelphi, 1970), p. 72.
See Italo Calvino, ‘Afterword’, Del Giudice, Lo stadio di Wimbledon (Torino: Einaudi, 1982), p. 127
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© 2003 Patrizia Lombardo
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Lombardo, P. (2003). Trieste as Frontier: From Slataper to Bazlen and Del Giudice. In: Cities, Words and Images. Language, Discourse, Society. Palgrave Macmillan, London. https://doi.org/10.1057/9780230286696_4
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