Abstract
Occasional poetics as a factor in the evolution of the modern English lyric has been relatively little studied. In this work I argue that the demands of poetic occasion played a major role in shaping the evolution of an important strain of English lyric poetry from Milton’s time through to the mid-eighteenth century. I consider first the reasons for and ramifications of the narrowing scope for poetic invention which was one of the socio-literary consequences of the English Reformation. I then examine several successive generation of poets’ ingenious responses to the problem of narrowing invention, which climax in the work of what I consider a greatly underrated generation of technically innovative poets of the early 1740s, who produced poems which created occasional pathos without a public occasion. These works showed later poets like Wordsworth how they could evade readers’ infinitely troublesome demand for a truthful event grounding the poem by shifting from public occasions to a private, unquestionable ‘mental occasion’.
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Notes
Hunter Davies, William Wordsworth (London, 1980).
Philip Stewart, Imitation and Illusion in the French Memoir-Novel, 1700–1750: The Art of Make-Believe (New Haven: Yale University Press, 1969).
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Russell Fraser, The War against Poetry (Princeton: Princeton University Press, 1970).
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Paul Fry, The Poet’s Calling in the English Ode (New Haven, 1980).
Malcolm Lipking, The Life of a Poet: Beginning and Ending Poetic Careers (Chicago, 1981).
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© 2000 John Dolan
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Dolan, J. (2000). Occasional Poetics in the Early Modern Lyric. In: Poetic Occasion from Milton to Wordsworth. Early Modern Literature in History. Palgrave Macmillan, London. https://doi.org/10.1057/9780230286474_1
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DOI: https://doi.org/10.1057/9780230286474_1
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-40741-5
Online ISBN: 978-0-230-28647-4
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