Abstract
The high reputation Lacan’s thought still enjoys in Humanities departments, both in Britain and elsewhere, is, so Tallis argues, in this reading from Not Saussure (1988, 1995), to be attributed to the fact that those trained in the interpretation of literature (and, one might add, of cinema) have little or no knowledge of scientific method and a less than rudimentary grasp of clinical practice. None the less, it is no good trying to refute Lacan’s ideas, since one will seek in vain for the systematic observations on which his conclusions are based. For example, there is little reference to clinical material of his own, which means that his interpretations of his own cases cannot be assessed since insufficient material is given. For Tallis, then, Lacan is a prime example of how not to proceed in diagnostic medicine. He reinforces this view by a detailed account of Lacan’s presentation of the so-called mirror stage. This is supposedly the period in infant development between six and eighteen months during which a unified sense of the self, of one’s personal identity, is formed and established. Lacan’s account of the self has had enormous importance for literary theory; in particular, it has been widely used to justify the notion that referential realism is impossible. The realities of self and world are thought to be composed of fictions that belong solely within the symbolic realm, closed off from any contact with what might lie beyond language. However, as Tallis shows, Lacan’s theory assumes that which it sets out to explain. Lacan tries to establish that the child’s sense of self is mediated through an identification with his or her own mirror image, and his argument is based on a series of dialectical shifts between self and Other. But, to pull this off, Lacan begins with the assumption he needs to establish, namely, that the child can recognise his or her own image in the mirror. Furthermore, Lacan never explains how, if the self is a fiction, the child is able to refer so many different images of its own body to the same self. These and other objections reveal the fundamental nonsense that Lacan’s account succumbs to. It is a nonsense Tallis links to the muddles associated with some versions of genetic epistemology — the process of describing how the child comes to acquire the adult metaphysical world-view. This is to do descriptive psychology and ontology at the same time, and the result is confusion of the sort we find in Lacan.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Jacques Lacan, Écrits, selected and trans. Alan Sheridan (London: Tavistock, 1977). The translations are Sheridan’s.
Catherine Belsey, Critical Practice (London: Methuen, 1980).
Terry Eagleton, Literary Theory (Oxford: Basil Blackwell, 1983).
Colin MacCabe (ed.), The Talking Cure (London: Macmillan, 1981).
Ellie Ragland-Sullivan, ‘The Magnetism between Reader and Text: Prolegomena to a Lacanian Poetics’, Poetics (December 1984) pp. 381–406.
Anika Lemaire, Jacques Lacan, trans. David Macey (London: Routledge & Kegan Paul, 1977).
Malcolm Bowie ‘Jacques Lacan’, in J. Sturrock (ed.), Structuralism and Since (Oxford University Press, 1979).
Lacan, ‘Les formations de l’inconscient’, Bulletin de Psychologie (1956–7); quoted in Lemaire, Jacques Lacan, p. 83.
Lacan is, of course, wrong about chimpanzees. They are also fascinated by their mirror images. A recent book on Lacan (Bice Benvenuto and Roger Kennedy, The Works of Jacques Lacan (London: Free Association Books, 1986)) quotes Köhler’s account of the behaviour of chimpanzees presented with a mirror.
(W. Kohler The Mentality of Apes, trans. E. Winter (Harmondsworth: Penguin, 1957); quoted in Benvenuto and Kennedy, p. 53)
see P.F. Strawson, Individuals (London: Methuen, 1959).
R. Jakobson, Shifters, Verbal Categories and the Russian Verb (Cambridge, Mass.: Harvard University Press, 1957).
Margaret Boden, Piaget (London: Fontana, 1977) p. 96.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Copyright information
© 2000 Raymond Tallis
About this chapter
Cite this chapter
Grant, M. (2000). The Mirror Stage: A Critical Reflection. In: Grant, M. (eds) The Raymond Tallis Reader. Palgrave Macmillan, London. https://doi.org/10.1057/9780230286054_9
Download citation
DOI: https://doi.org/10.1057/9780230286054_9
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-0-333-77272-0
Online ISBN: 978-0-230-28605-4
eBook Packages: Palgrave Religion & Philosophy CollectionPhilosophy and Religion (R0)