Abstract
As Daston (2004) highlights, things and objects offer a fascinating entry point to studying “up close” the everyday world, in a way that is not blurry and diffuse, but clear, sharp and in focus. As scholars from such diverse backgrounds as media and technology (Turkle 2007), science in the case of Daston, anthropology (Miller, 1998; Brown, 1998; 2004), and most recently Joshua Glenn and Carol Hayes (2007) in Taking Things Seriously, have highlighted, the analysis of material objects offers the possibility of theorizing abstract concepts in a grounded manner. While the idea of childhood objects, particularly those associated with play and consumption, has found its way into the study of children’s popular culture (see for example the work of Fleming, 1996), it has not figured as prominently in the study of material culture as one might expect, despite the obvious significance of children’s consumption of objects and things in their play. Concomitantly, the study of children’s playthings is often absent within visual studies.
Imagine a world without things. It would be not so much an empty world as a blurry, frictionless one: no sharp outlines would separate one part of the uniform plenum from another; there would be no resistance against which to stub a toe or test a theory or struggle stalwartly. Nor would there be anything to describe, or to explain, remark on, interpret, or complain about — just a kind of porridgy oneness. Without things, we would stop talking. (Daston, 2004: 9)
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© 2010 Claudia Mitchell
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Mitchell, C. (2010). Researching Things, Objects and Gendered Consumption in Childhood Studies. In: Buckingham, D., Tingstad, V. (eds) Childhood and Consumer Culture. Studies in Childhood and Youth. Palgrave Macmillan, London. https://doi.org/10.1057/9780230281844_7
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