Abstract
It is the spring of 2007, and although this chapter has not yet been written I already know it will have been published too late. All university-based research currently undertaken in the United Kingdom, in whichever discipline, is done so in anticipation of the forthcoming Research Assessment Exercise 2008 (also known as ‘RAE 2008’), a national audit of research activity, conducted by the UK’s Higher Education funding councils, that will for the next few years determine the level of research funding that the councils allocate to each British university.1 Through a process of expert review, institutions will be ranked principally on the quality of the ‘output’ of their research-active staff. This chapter was to be one of my outputs, but the inevitable delays that occur in a scholarly collaboration across continents have now pushed the prospective publication date of this book beyond the census date of the audit. Other scholars across Britain are currently still waiting anxiously to see whether their book or chapter or journal article will be printed in time as publishers work through a backlog of manuscripts.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
Allain, P. and J. Harvie. The Routledge Companion to Theatre and Performance (London and New York: Routledge, 2006).
Bacon, J. and F. Chamberlain. ‘Editorial: The practice of Performance Studies in the United Kingdom,’ Studies in Theatre and Performance, 25:3 (2005) 179–88.
Chamberlain, F. ‘Interrogating boundaries/respecting differences? The role of theatre within Performance Studies,’ Studies in Theatre and Performance, 25:3 (2005) 263–70.
Christie, J., R. Gough, and D. Watt. (eds) A Performance Cosmology: Testimony from the Future, Evidence of the Past (London and New York: Routledge/Centre for Performance Research, 2006).
Fazackerley, A. ‘UK Lags in Research Spending,’ Times Higher Education (24 March 2006).
Harley, S. and P. Lowe. Academics Divided: The Research Assessment Exercise and the Academic Labour Process (Leicester: Leicester Business School Occasional Papers Series, 1998).
Harrop, P. ‘What’s in a name?,’ Studies in Theatre and Performance, 25:3 (2005) 189–200.
Heathfield, A. ‘Writing of the Event,’ A Performance Cosmology, ed. J. Christie, R. Gough, and D. Watt (London and New York: Routledge/CPR, 2006), pp. 179–82.
HEFCE. Research Excellence Framework, 1 July 2008: http://www.hefce.ac.uk/Research/ref/(accessed 10 July 2008).
HEFCE et al. RAE 2001: A Guide to the 2001 Research Assessment Exercise (Bristol: HEFCE, 2001a).
HEFCE et al. RAE 2008: Initial Decisions by the UK Funding Bodies (Ref. RAE 01/2004) (Bristol: HEFCE, 2004).
HEFCE et al. RAE 2008: Guidance on Submissions (Ref. RAE 03/2005) (Bristol: HEFCE, 2005).
Kelleher, J. and N. Ridout. (eds) Contemporary Theatres in Europe: A Critical Companion (London and New York: Routledge, 2006).
Kershaw, B. ‘Performance, Memory, Heritage, History, Spectacle — The Iron Ship,’ Studies in Theatre and Performance, 21:3 (2000) 132–49.
Kershaw, B. Theatre Ecology: Environments and Performance Events (Cambridge: Cambridge University Press, 2007).
Knorr Cetina, K. ‘Objectual Practice,’ The Practice Turn in Contemporary Theory, ed. T. R. Schatzki, K. Knorr Cetina, and E. von Savigny (London and New York: Routledge, 2000), pp. 175–88.
MacDonald, C. and R. Allsopp. ‘The Temper of the Times,’ Performance Research, 1:1 (1996) vi-viii.
Melrose, S. ‘“Constitutive Ambiguities”: Writing professional or expert performance practices, and the Théâtre du Soleil, Paris,’ Contemporary Theatres in Europe, ed. J. Kelleher and N. Ridout (London and New York: Routledge, 2006a), pp. 120–35.
Melrose, S. ‘Who Knows — and who cares — about performance mastery (?),’ A Performance Cosmology, ed. J. Christie, R. Gough, and D. Watt (London and New York: Routledge/CPR, 2006b), pp. 132–9.
Melrose, S. ‘Confessions of an Uneasy Expert Spectator,’ Professor S F Melrose website: http://www.sfmelrose.u-net.com/(July 2007) (accessed 1 August 2007).
Nelson, R. and S. Andrews. ‘Regulations and protocols governing “Practice as Research” (PaR) in the performing arts in the UK leading to the award of PhD,’ http://www.bris.ac.uk/parip/par_phd.htm (accessed 1 July 2007).
PARIP Practice as Research in Performance: 2001–2006 website: http://www.bristol.ac.uk/parip/(accessed 1 July 2007).
Phelan, P. Unmarked: The Politics of Performance (London and New York: Routledge, 1993).
Phelan, P. Mourning Sex: Performing Public Memories (London and New York: Routledge, 1997).
Piccini, A. ‘An historiographic perspective on practice as research,’ Studies in Theatre and Performance, 23:3 (2003) 191–207.
Piccini, A. and B. Kershaw. ‘Practice as Research in Performance: From epistemology to evaluation,’ Journal of Media Practice, 4:1 (2003) 113–23.
Postlewait, T. and T. C. Davis. ‘Introduction,’ Theatricality, ed. T. Postlewait and T. C. Davis (Cambridge: Cambridge University Press, 2004), pp. 1–39.
RAE 2001-UoA66 Drama, Dance and Performing Arts-Overview Report: http://195.194.167.103/overview/docs/UoA66.pdf (accessed 1 July 2007).
Readings, B. The University in Ruins (Cambridge, MA, and London: Harvard University Press, 1996).
Reinelt, J. ‘Foreword from “across the pond”,’ Contemporary Theatres in Europe, ed. J. Kelleher and N. Ridout (London and New York: Routledge, 2006), pp. xiv–xviii.
Ridout, N. Stage Fright, Animals, and Other Theatrical Problems (Cambridge: Cambridge University Press, 2006).
Schechner, R. ‘Performance Studies: The Broad Spectrum Approach’ (TDR Comment), The Drama Review (TDR), 32:3 (1988) 4–6.
Schechner, R. ‘A New Paradigm for Theatre in the Academy,’ The Drama Review (TDR), 36:4 (1992) 7–10.
Schechner, R. Performance Studies: An Introduction (London and New York: Routledge, 2002).
Schechner, R. Performance Studies: An Introduction, 2nd edn (London and New York: Routledge, 2006).
Shepherd, S. and M. Wallis. Drama/Theatre/Performance (London and New York: Routledge, 2004).
UFC, Research Assessment Exercise 1992: The Outcome (Universities Funding Council Circular 26/29) (Bristol: Universities Funding Council UFC, 1992).
UK Council for Graduate Education, Practice-Based Doctorates in the Creative and Performance Arts and Design (n.p.: UK Council for Graduate Education, 1997).
Editor information
Editors and Affiliations
Copyright information
© 2010 Heike Roms
About this chapter
Cite this chapter
Roms, H. (2010). The Practice Turn: Performance and the British Academy. In: McKenzie, J., Roms, H., Wee, C.J.WL. (eds) Contesting Performance. Performance Interventions. Palgrave Macmillan, London. https://doi.org/10.1057/9780230279421_4
Download citation
DOI: https://doi.org/10.1057/9780230279421_4
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-28409-2
Online ISBN: 978-0-230-27942-1
eBook Packages: Palgrave Theatre & Performance CollectionLiterature, Cultural and Media Studies (R0)