Abstract
Priestley was a prominent author in the 1930s, but he reached the height of his fame and popularity in wartime with a great number of domestic and overseas broadcasts. In particular, his series of ‘Postscripts’ to the nine o’clock news, introduced to counter Lord Haw Haw’s Nazi propaganda, was so popular that over 50 per cent of the adult population regularly tuned in. If the BBC was the ‘voice of Britain’ at the time, Priestley embodied it, second only in this to the Prime Minister himself. In fact, Churchill and Priestley can be regarded as complementary radio persona in that the Prime Minister expressed a chivalric, high Tory ideal wheareas Priestley represented the ‘ordinary people’. It is often noted that Priestley was eventually taken off the air because his commitment to a socialist, or social-democratic postwar reconstruction of society was resented in some high places, and that the BBC and the Ministry of Information ended up accusing each other of being responsible for this action.’ The disgruntled Priestley is then said to have sought other channels for the dissemination of his political views.2 While this account is acceptable in principle, it must be remembered, as I have shown above in some detail, that Priestley was no revolutionary. Jean Seaton also notes this in her history on broadcasting, concluding that ‘the most notable feature of Priestley’s talks was that a concern for ordinary people and their future emerged and was expressed by very traditional images of rural England, village communities, and nature.’3
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Notes
For a recent helpful overview of Priestley’s broadcasting career, see Peter Buitenhuis, ‘J. B. Priestley: the BBC’s Star Propagandist in World War II’, in: English Studies in Canada 26 (2000), 445–72.
See, for example, Tom Henthorne, ‘Priestley’s War: Social Change and the British Novel, 1939–1945’, in: The Midwest Quarterly 45:2 (2004), 155–67. Henthorne argues that Priestley continued his political struggle in novels which were less susceptible to censorship and government control.
Jean Seaton, ‘Broadcasting History’, in: Curran and Seaton, Power Without Responsibility (1991), 129–233; 166.
J. B. Priestley, Out of the People (London: Collins, in association with Heinemann, 1941), 18.
Orwell, The Road to Wigan Pier (1937), 103.
Orwell A., ‘The Lion and the Unicorn’ (1941), 109.
J. B. Priestley, British Women Go to War (London: Collins, 1943), 19.
J. B. Priestley, Britain at War (New York and London: Harper & Brothers, 1942), 20.
Postscripts published according to Jeffrey Butcher’s bibliography: ‘Excursion to Hell’, Listener, 13 June 1940; ‘The Hour of Greatness’, Answers, 20 July 1940; ‘Out with the Parashots’, Answers, 27 July 1940; ‘Dark Face of Germany’, Answers, 3 August 1940; ‘Two-Ton Annie’, Answers, 10 August 1940; ‘That’s the stuff to give ‘em’, Answers, 17 August 1940; ‘A Trip to Margate’, Answers, 27 August 1940; ‘There Must Be No Going Back’, Answers, 31 August 1940; ‘Happy Landings for Heroes’, Answers, 7 September 1940; ‘Long, Long Trail from August 1914’, Answers, 14 September 1940; ‘Hard Work and High Jinks’, Answers, 21 September 1940; ‘Don’t Let the War Get You Down’, Answers, 28 September 1940; ‘War Anniversary’, Answers, 5 October 1940; ‘The Bright Face of Danger’, Answers, 12 October 1940; ‘London Can Take It’, Answers, 19 October 1940; ‘The Triumph of the Women’, Answers, 26 October 1940; ‘The Pie They Couldn’t Bomb’, Answers, 2 November 1940; ‘I’m Not Blaming Anybody, But’, Answers, 9 November 1940; ‘Ribbentrop Should Have Met “Ma”’, Answers, 16 November 1940; ‘My Last Postscript’, Answers, 23 November 1940; ‘Dunkirk — Excursion to Hell’, Answers, 30 November 1940. ‘Excursion to Hell’ was also published as a contribution to Home From Dunkirk (London: Murray, 1940). Talks from the Britain Speaks series published: Britain Speaks, Listener, 27 June 1940; ‘Britain Speaks, the Sign of the Double Cross and a Word to Intellectuals’, Listener, 4 July 1940; ‘The Three Faces of Nazism and American Criticism’, Listener, 11 July 1940; ‘Camp and Kitchen and Nazi Tales’, Listener, 18 July 1940; ‘As the Broadcaster Sees It and The Parent’s Dilemma’, Listener, 25 July 1940; ‘Pott and Kettle Dynics’, London Calling, 22 August 1940; ‘Britain’s Ordinary Folk’, London Calling, 29 August 1940; ‘This Air-Raid Life of Ours’, London Calling, 12 September 1940; ‘The Spirit of London’, London Calling, 26 September 1940. At the same time, Priestley also published in the New Statesman, the Sunday Express, Horizon, The Spectator, Daily Telegraph, Picture Post, News Chronicle, and Reynold’s News. Jeffrey R. Butcher, The Works of J. B. Priestley: Classified and Chronological Lists (Leyland: J. R. Butcher, 1993).
See also Alan Edwin Day, J. B. Priestley: an Annotated Bibliography (Stroud: Ian Hodgkins, 2001).
Priestley, Postscripts (1940), 69–70.
Anthony Weymouth (ed.), The English Spirit: J. B. Priestley — Sir Philip Gibbs — Philip Guedalla — Somerset Maugham — Sir Hugh Walpole and others (London: Allen & Unwin, 1942), 7.
Priestley, Postscripts (1940), 6.
J. B. Priestley, Daylight on Saturday: a Novel About an Aircraft Factory (London: Heinemann, 1943), 306.
Priestley, Margin Released (1962), 193.
This famous phrase was coined by John Shearman in the Documentary News Letter with respect to the Crown Film Unit’s film Western Approaches (1944). See John Shearman, ‘Wartime Wedding’, Documentary News Letter 6/54, Nov.-Dec. 1946, 53,
quoted from James Chapman, The British at War: Cinema, State and Propaganda, 1939–1945 (London: I. B. Tauris 1998), 137.
Elizabeth Bowen, The Heat of the Day [1948] (London: Vintage, 1998), 93.
J. B. Priestley, Blackout in Gretley, A Story of, and For Wartime (London: Heinemann, 1942) republished in a ‘Classic Thrillers’ series (London: Dent, 1987), 8.
J. B. Priestley, Three Men in New Suits [1945] (London: Allison and Busby, 1984), 16.
J. B. Priestley, Bright Day [1946] (Chicago: University of Chicago Press, 1983), 1.
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© 2010 Ina Habermann
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Habermann, I. (2010). Addressing the People. In: Myth, Memory and the Middlebrow. Palgrave Macmillan, London. https://doi.org/10.1057/9780230277496_7
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