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Abstract

Historians of late nineteenth- and early twentieth-century Britain have paid much attention to the cultural significance of contemporary interest in land, landscape and the rural. Since the publication of Martin Wiener’s seminal English Culture and the Decline of the Industrial Spirit (Cambridge, 1981), many scholars have argued that national identity found powerful expression through a ruralised Englishness. The repositories of this Englishness included the poetry and prose of writers like P. H. Ditchfield, Alfred Austin and Thomas Hardy, landscape preservation (the National Trust being founded in 1894), the folk song revival and pastoral trends in photography and pictorial art.1 In these years, Krishan Kumar has remarked, ‘the essential England was rural’.2 Now, it may be that the Wiener-inspired model of Englishness exaggerates the reactionary character of ruralist concerns: interest in the culture of the countryside and even the distant rural past was in no way confined to conservatives, as recent studies of the early preservationist movement have shown.3 That said, there is little reason to doubt that land and nation were closely connected in the popular imagination, albeit in different ways.

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Notes

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© 2010 Paul Readman

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Readman, P. (2010). The Edwardian Land Question. In: Cragoe, M., Readman, P. (eds) The Land Question in Britain, 1750–1950. Palgrave Macmillan, London. https://doi.org/10.1057/9780230248472_11

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  • DOI: https://doi.org/10.1057/9780230248472_11

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