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Aesthetics and World Politics pp 48–66Cite as

Palgrave Macmillan

Art after 9/11

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Part of the book series: Rethinking Peace and Conflict Studies ((RCS))

Abstract

Aesthetic theories are illuminating, but they become politically significant only in the context of real-life situations. This is why I now provide practical illustrations of the conceptual claims I advanced in the previous chapter.

Maybe this is how things look like when there is no one there to see them.

Don DeLillo, Falling Man1

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Notes

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  50. My reflections on emotions here are greatly indebted to collaborative work I have done on the subject with Emma Hutchison. I would like to thank her for being able to draw on some of the respective ideas we have explored — and continue to do so — in common: Roland Bleiker and Emma Hutchison, ‘Fear No More: Emotions and World Politics’, Review of International Studies, Vol. 34, No. 1, 2008, pp. 115–35;

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Author information

Authors and Affiliations

  1. University of Queensland, Australia

    Roland Bleiker (Professor of International Relations)

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  1. Roland Bleiker
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© 2009 Roland Bleiker

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Bleiker, R. (2009). Art after 9/11. In: Aesthetics and World Politics. Rethinking Peace and Conflict Studies. Palgrave Macmillan, London. https://doi.org/10.1057/9780230244375_3

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