Abstract
Brian Rotman’s monograph on the semiotics of zero is an unusual work for two reasons. First, it breaks the ever more damaging divorce between science and the analysis of culture by taking mathematics as the key system for its exploration of conceptual changes in the Renaissance: the introduction of the Hindu zero in mathematics, the development of perspective in painting, the development of imaginary money. Second, its characterisation of the fundamental alterations of signifying codes in the Renaissance is conceived not as an historical investigation finding its justification in the realms of influence and tradition but as a genuine semiotic study which links mathematics, painting and money through the tracing of formal similarities in their historical transformations.
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References
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© 2004 Palgrave Macmillan, a division of Macmillan Publishers Limited
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Heath, S., MacCabe, C., Riley, D. (2004). Brian Rotman, Signifying Nothing: The Semiotics of Zero (1987). In: Heath, S., MacCabe, C., Riley, D. (eds) The Language, Discourse, Society Reader. Language, Discourse, Society. Palgrave Macmillan, London. https://doi.org/10.1057/9780230213340_8
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DOI: https://doi.org/10.1057/9780230213340_8
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-0-333-76372-8
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