Abstract
Graham Saunders lectures in Theatre Studies at the University of Reading. He is the author of ‘Love me or Kill me’: Sarah Kane and the Theatre of Extremes (2002). He has written widely on contemporary British and Irish drama for Contemporary Theatre Review, New Theatre Quarterly, Studies in Theatre and Performance, The Journal of Beckett Studies and Theatre Research International. Saunders has coedited a collection of articles entitled ‘Cool Britannia?’ Political Theatre in 1990s British Drama (2007). He is also writing a new volume on the work of Sarah Kane for the Faber series ‘About … Playwrights and their Work’ and another volume on Patrick Marber’s Closer for Continuum’s Modern Theatre Guides. The following interview took place in London on 30 January 2005.
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Notes
A. Sierz, In-Yer-Face Theatre: British Drama Today (London: Faber, 2001).
G. Saunders, ‘Love me or Kill me’: Sarah Kane and the Theatre of Extremes ( Manchester and New York: Manchester University Press, 2002 ), p. 2.
P. Roberts, The Royal Court Theatre and the Modern Stage ( Cambridge: Cambridge University Press, 1999 ).
J. Penhall, Blue/Orange ( London: Methuen, 2001 ), p. 111.
M. Ravenhill, ‘Obituary’, Independent, 23 February 1999.
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© 2007 Hildegard Klein
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Klein, H. (2007). Graham Saunders. In: Aragay, M., Klein, H., Monforte, E., Zozaya, P. (eds) British Theatre of the 1990s. Palgrave Macmillan, London. https://doi.org/10.1057/9780230210738_13
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DOI: https://doi.org/10.1057/9780230210738_13
Publisher Name: Palgrave Macmillan, London
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