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“The Complexion of Ever so Long Ago”

Style and Henry James’s Ghosts

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Henry James and the Supernatural
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Abstract

One of James’s best known and perhaps most important ghost stories, his “dream of the Louvre,” comes not from a published tale or novel but first from his most private writing (his notebooks) and then from the private-gone-public autobiographical volume A Small Boy and Others. The migration of the story from James’s private conversation with himself in the notebook entry to the publication of his memoir is significant because it serves as an emblem of how the ghostly functions in James as a conversion from the very private to the very public. In addition, there seems to be something fundamentally therapeutic for James in the conversion process that signals James’s conversation with his past and provides him with a way to understand that experience.

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Notes

  1. Henry James, The Complete Notebooks, ed. Leon Edel and Lyall H. Powers (New York: Oxford University Press, 1987), 318.

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© 2011 Anna Despotopoulou and Kimberly C. Reed

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Zacharias, G. (2011). “The Complexion of Ever so Long Ago”. In: Despotopoulou, A., Reed, K.C. (eds) Henry James and the Supernatural. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230119840_2

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