Abstract
Commentary by scholars has a long history, one now largely overlooked. But we might recall that the earliest manuscript books, in addition to performing the crucial scholarly tasks of transcribing and editing, provided commentary in the margins surrounding the text. These monkish lucubrations, the product of an age far more starved for information, sought largely to collect and treasure hard-won scraps of knowledge by which the abstruse references of ancient texts could be deciphered and understood.
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Notes
See Stephen Prince, The Warrior’s Camera: The Cinema of Akira Kurosawa (Princeton, NJ: Princeton University Press, 1999), 220–33. Prince discusses the opening shot of Sanjuro on 225ff.
Raymond Williams, Marxism and Literature (New York: Oxford University Press, 1977), 134.
See Caroline Millar’s suggestive remarks on the value of close reading enforced by audio commentary in James Bennett and Tom Brown’s “The Place, Purpose, and Practice of the BFI’s DVD Collection and the Academic Film Commentary: An Interview with Caroline Millar and Ginette Vincendeau,” in Film and Television After DVD, ed. James Bennett and Tom Brown (New York: Routledge, 2008), 121.
See the chapter on “Viaggio in Italia” included in Laura Mulvey, Death 24x a Second: Stillness and the Moving Image (London: Reaktion Books, 2007), 104–22 passim.
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© 2011 Mark Parker and Deborah Parker
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Parker, M., Parker, D. (2011). Scholarly Commentary and Film Study. In: The DVD and the Study of Film. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230119130_6
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DOI: https://doi.org/10.1057/9780230119130_6
Publisher Name: Palgrave Macmillan, New York
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