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Abstract

The academic freedom battles of the 1970s reached a climax in the MACOS controversy that signaled the virtual end of the funding period for new social studies projects. Many conservatives and traditionalists who wanted the schools to transmit the “American way” perceived MACOS as a threat. MACOS, or Man: A Course of Study, was originally the brainchild of Harvard Anthropologists Douglas Oliver and Irven DeVore for a K-6 historical and evolutionary sequence of “The Human Past.” When the project was taken over by Jerome Bruner and the Harvard ESI staff in 1964, it limited its focus to the middle grades (4–6) and focused on the question, “What is human about human beings?” Reflecting DeVore’s influence, four organizing themes emerged, designed to help children understand culture: social organization, language, mythology, and technology. The themes were to dictate where postholes would be dug. In addition, “contrasts and models” were adopted as pedagogical approaches. Contrast was to come from exercises comparing the life cycles of fish and animals with the social behavior of humans, in this case, the Netsilik Eskimos. Dramatic and graphic scenes of Netsilik life were included, among them materials depicting senilicide and other taboos of mainstream US society.

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Notes

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© 2011 Ronald W. Evans

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Evans, R.W. (2011). The MACOS Controversy and Beyond. In: The Tragedy of American School Reform. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230119109_6

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