Abstract
As I sit under the bespeckled sky gazing on the enthralling beauty of Gulmarg in the Indian-administered Kashmir Valley, lush with lupines, daisies, narcissus, and red roses, nurtured by snow-covered peaks and glaciers, I watch the mutable aspects of Kashmir, sometimes joyous and sometimes despondent. I am enveloped by nostalgia for the era of lost innocence and misplaced hope that at one point in time had ensconced the Kashmiris in the heart of paradise. Smoke from the chimneys of chalets with shingled roofs creates a languid atmosphere, making the observer oblivious to the anguishes of life. The mist rises stealthily from the mountains and gives tantalizing glimpses of the ethereal vision behind the veil. The tranquil Dal lake, in which gentle ripples are created by the oar of a homebound boatman rowing his gondola on a moonlit night, calms the angst of existence. From a distance I hear sonorous voices singing folksongs lamenting the loss of a beloved or remembering the imminence of death. These songs are sung by tribal people with weather-beaten faces and jaded souls. The pain in their voices and the emotion in the lyrics echo the centuries of political, cultural, and religious persecution that these proud people have borne but have not resigned themselves to. Their isolation, caused by the rugged terrain they inhabit, has not extinguished the spark of hopeful romance and faith in the resilience of humanity.
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© 2010 Nyla Ali Khan
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Khan, N.A. (2010). Introduction. In: Islam, Women, and Violence in Kashmir. Comparative Feminist Studies Series. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230113527_1
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DOI: https://doi.org/10.1057/9780230113527_1
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-29075-8
Online ISBN: 978-0-230-11352-7
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