Abstract
“In the beginning was the Word, and the Word was with God, and the Word was God.” These opening words of the Gospel according to St. John encapsulate the problem of the representation of God and the relationship of word and image that permeates the whole of Jewish, Christian and Islamic culture. Blake, as a man with a strong religious sense who expressed himself in both words and visual images, played a peripheral and partial, but significant, role in this tradition, with the late Laocon print coming as the culmination of his own very personal solution of the problem.1
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Copyright information
© 2002 Tim Fulford
About this chapter
Cite this chapter
Butlin, M. (2002). Word as Image in William Blake. In: Fulford, T. (eds) Romanticism and Millenarianism. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230107205_13
Download citation
DOI: https://doi.org/10.1057/9780230107205_13
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-38717-5
Online ISBN: 978-0-230-10720-5
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)