Abstract
Cathedrals map the loftiest human ambitions onto the urban landscape. St. Paul’s Cathedral embodied a wish to celebrate and communicate with the divine; its physical domination of London registered the strength of this desire. “For wee haue a golden candlestick, a glorious Church,” preached the Bishop of London in 1620, “whereem the light of the Gospell shineth.”1 Paul’s gave London spiritual shape, punctuating its cartography with a sacred focal point.
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Notes
Enno Ruge makes the argument that Paul’s “was the symbol of many things but very probably not of the authority of the Church or its high moral standards.” Bishop Pilkington, 1560, qtd. Henry B. Wheatley, London: Past and Present, III (London: John Murray, 1891), 64
Cara Aitchison, “New Cultural Geographies: The Spatiality of Leisure, Gender and Sexuality,” Leisure Studies 18 (1999): 19.
Ronald Davidson, “Recalcitrant Space: Modeling Variation in Humanistic Geography,” Journal of Cultural Geography 25 (2008): 161–80.
Edward Sharpham, The Discouerie of the Knights of the Poste (London: G.S., 1597)
Queen Elizabeth’s proclamation, qtd. Milman, Annals of St. Paul’s Cathedral (London: John Murray, 1868), 285
Qtd. John Brand, Observations on the Popular Antiquities of Great Britain, vol. 3 (London: Bell & Daldy, 1872), 387
See chap. 5 in particular. Amanda Bailey, Flaunting: Style and the Subversive Mule Body in Renaissance England (Toronto: University of Toronto Press, 2007).
John Earle, “Portrait 61,” Microcosmography, or A Piece of the World Discovered in Essays and Characters, ed. Harold Osborne (London: University Tutorial, 1933).
Thomas Dekker, The Guls Hornbook, in The Non-Dramatic Works of Thomas Dekker, ed. Alexander B. Grosart, vol. 2 (New York: Russell & Russell, 1963), 230
Thomas Middleton, Your Five Gallants, in Thomas Middleton: The Collected Works, ed. Gary Taylor and John Lavagnino (Oxford: Clarendon Press, 2007), 4.4.31–33.
Paul Griffiths, “Prostitution in Elizabethan London,” Continuity and Change 8 (1993): 55.
Ned Ward, The London Spy, ed. Paul Hyland (East Lansing, MI: Colleagues Press, 1993), 86.
Ben Jonson, Every Man Out of His Humor, ed. Helen Ostovich (Manchester: Manchester University Press, 2001) 3.1.123–26.
Juliet Fleming, “Graffiti, Grammatology, and the Age of Shakespeare,” in Renaissance Culture and the Everyday, ed. Patricia Fumerton and Simon Hunt (Philadelphia: University of Pennsylvania, 1992), 332.
Richard C. McCoy, Alterations of State: Sacred Kingship in the English Revolution (New York: Columbia University Press, 2002), 2.
See Lawrence A. Sasek, introduction to Images of English Puritanism: A Collection of Contemporary Sources, 1589–1646 (Baton Rouge: Louisiana State University Press, 1989), 13.
Robert Bolton, “A Discovrse Abovt the State of Trve Happinesse,” Appendix 4, Records of Early English Drama: Ecclesiastical London, ed. Mary C. Erler (London: British Library, 2008), 271.
See Françoise Waquet, Latin or the Empire of a Sign: From the Sixteenth to the Twentieth Centuries, ed. John Howe (London: Verso, 2001), 41–79
Fran Dolan, Whores of Babylon: Catholicism, Gender, and Seventeenth-Century Print Culture (Ithaca, NY: Cornell University Press, 1999), 26.
Dugdale, qtd. Edward Holdsworth Sugden, A Topographical Dictionary to the Works of Shakespeare and His Fellow Dramatists (Manchester: Manchester University Press, 1925)
Valerie Pearl, London and the Outbreak of the Puritan Revolution (Oxford: Oxford University Press, 1961), 79.
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© 2010 Amanda Bailey and Roze Hentschell
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Bly, M. (2010). Carnal Geographies: Mocking and Mapping the Religious Body. In: Bailey, A., Hentschell, R. (eds) Masculinity and the Metropolis of Vice, 1550–1650. Early Modern Cultural Studies. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230106147_5
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