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The Renaissance Critique of Hierarchy

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From Hierarchy to Anarchy
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Abstract

One of this book’s tasks is to unsettle the Westphalia narrative of International Relations that identifies the Peace of Westphalia as the symbolic moment when medieval international relations gave way to the modern international system of sovereign territorial states. This modern/ medieval dichotomy has heuristic value in that it isolates the modern states system from the limitless text of history. Nevertheless, it is ideological for it reinforces the Western myth of progress: it legitimizes the international system by aligning it with the progressive values of modernity that signified man’s escape from the Middle Age mire of religion and superstition. However, serious study of the Renaissance, during which thought seems to be reaching to modernity while being constrained by the grammars and vocabularies of medieval Christianity, collapses this neat opposition between the Medieval and the Modern. In the Renaissance modernity advances and retreats like the wash of an incoming tide as reason and myth, science and superstition battle it out for supremacy. Study of the Renaissance shows that modern thought, culture, and politics did not emerge suddenly phoenix-like out of medieval darkness and so undermines the Westphalian chronological rupture between medieval and modern international politics. My concern in this chapter is with the Renaissance critique of hierarchy. However, before addressing this aspect of Renaissance thought consideration must be given to the meaning of the Renaissance per se.

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Notes

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© 2010 Jeremy Larkins

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Larkins, J. (2010). The Renaissance Critique of Hierarchy. In: From Hierarchy to Anarchy. Palgrave Macmillan History of International Thought Series. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230101555_6

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