Abstract
Optimism is a defining feature of that thing called “American.” It is implicit in virtually every mythic posture that Americans generate, from the ideas of progressivism and manifest destiny to the all-encompassing notion of the American Dream. In fact, as Richard Rodriguez implies above the very idea that someone—some “American”—could possibly not feel optimistic smacks of unpatriotic intransigency. After all, if for some unimaginable reason, someone—some “American”—falls victim to disappointment and loses his (a gender tag that invariably applies) optimism, America’s health care system has pills to treat what surely must be considered an illness. Optimism is an American state of being. To be otherwise is to be out of tune, out of touch, unnatural, ill. Not to be optimistic is a sickness; it requires isolation, to be quarantined, lest it spread, like some smallpox epidemic among a vulnerable native population.
Americans feel disappointment so keenly because our optimism is so large and is so often insisted upon by historians. And so often justified by history. The stock market measures optimism. If you don’t feel optimistic there must be something wrong with you. There are pills for disappointment
Rodriguez, “Disappointment”1
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Notes
Richard Rodriguez, “Disappointment,” California 117.1 (January/February 2006): 18.
Alexis de Tocqueville, Democracy in America, 1835, quoted in Jim Cullen, The American Dream: A Short History of an Idea that Shaped a Nation (Oxford: Oxford University Press, 2003), 71, 72.
Alexis de Tocqueville, Democracy in America, 1835, quoted in Cal Jillson, Pursuing the American Dream: Opportunity and Exclusion Over Four Centuries (Lawrence, KS: University of Kansas Press, 2004), 85.
James Truslow Adams, Epic of America (Garden City, NY: Blue Ribbon Books, 1931), 404.
Maurianne Adams, Warren J. Blumenfeld, Rosie Castaňeda, Heather W. Hackman, Madeline L. Peters, Ximena Zúňga, eds., Readings For Diversity and Social Justice: An Anthology on Racism, Antisemitism, Sexism, Heterosexism, Ableism, and Classism (New York: Routledge, 2000), 1.
Jeffrey D. Mason and J. Ellen Gainor, eds., Performing America: Cultural Nationalism in American Theater (Ann Arbor: University of Michigan Press, 1999).
Zachary Karabell, A Visionary Nation (New York: HarperCollins, 2001), 202.
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© 2007 William W. Demastes and Iris Smith Fischer
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Demastes, W.W. (2007). Introduction: America Defined and Refined. In: Demastes, W.W., Fischer, I.S. (eds) Interrogating America through Theatre and Performance. Palgrave Studies in Theatre and Performance History. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230100787_1
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DOI: https://doi.org/10.1057/9780230100787_1
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