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Conclusion

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New Queer Sinophone Cinema
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Abstract

The conclusion offers a brief look at the work of Cui Zi’en, whose output is both localised and transnational. The chapter suggests that Cui’s work, whose unconventionality and complexity highlights the questions of representation, forms a significant part of the wider network of New Queer Sinophone Cinema.

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References

  • Berry, Chris. 2004. The sacred, the profane, and the domestic in Cui Zi’en’s cinema. Positions 12(1): 195–201.

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  • Robinson, Luke. 2013. Independent Chinese documentary: From the studio to the street. Basingstoke: Palgrave Macmillan.

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  • Rofel, Lisa. 2010. The traffic in money boys. Positions: East Asia Cultures Critique 18: 425–458.

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  • Yue, Audrey. 2012. Mobile intimacies in the queer Sinophone films of Cui Zi’en. Journal of Chinese Cinemas 6(1): 95–108.

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Pecic, Z.L. (2016). Conclusion. In: New Queer Sinophone Cinema. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-349-94882-6_6

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