Abstract
For most scholars, Edward Hyde is unquestionably atavistic, but Stevenson’s portrayal of Hyde as a uniquely proficient walker complicates such a reading. In this chapter, I read Hyde through a Certeauian lens, and I contend that in his unusual ability to move with speed and direction through London’s labyrinthine streets, Hyde prefigures Bill Brown’s postmodern city-dweller. As such, Hyde possesses the ability to orient himself within an “unmappable” environment and becomes, in some respects, the most evolved character in the novella. However, as he performs a Certeauian subversion of the established order, he also wields the power of walking against other pedestrians, often preventing them from creating city-texts of their own. Thus, destructive walking holds threatening implications for De Certeau’s diverse, street-level city.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Reference
Gonnaud, Maurice. “Democratic Aesthetics, ” Transatlantica [online] 1 | 2007. http://transatlantica.revues.org/1206 [last accessed on December 14, 2015].
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Copyright information
© 2016 The Author(s)
About this chapter
Cite this chapter
Welter, C.M. (2016). A Juggernaut in the Streets of London: Walking as Destructive Force in R.L. Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde . In: Benesch, K., Specq, F. (eds) Walking and the Aesthetics of Modernity. Palgrave Macmillan, New York. https://doi.org/10.1057/978-1-137-60364-7_13
Download citation
DOI: https://doi.org/10.1057/978-1-137-60364-7_13
Published:
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-137-60282-4
Online ISBN: 978-1-137-60364-7
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)