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The Detective

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Jack the Ripper in Film and Culture

Part of the book series: Crime Files ((CF))

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Abstract

One of the most important things that an audience of a film about Jack the Ripper knows is that the killer was not caught. The details of the crimes, the names of the victims may be forgotten but the fact that the killer was not apprehended is remembered. In this way the audience or mass expectation of the detective in a Ripper film is very different from that of a film about the Boston Strangler or Son of Sam.

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Notes

  1. 1.

    Philippa Gates, Detecting Men: Masculinity and the Hollywood Detective Film (Albany: State University of New York Press, 2006), 24.

  2. 2.

    Gates, 164.

  3. 3.

    Mulvey, 20.

  4. 4.

    Freud, On Murder, Mourning and Melancholia, 238.

  5. 5.

    Ressler and Shachtman, 42.

  6. 6.

    Gates, 62.

  7. 7.

    Jung, Man and His Symbols, 68.

  8. 8.

    Freud, Mass Psychology and Other Writings, 26.

  9. 9.

    Douglas and Olshaker, 363.

  10. 10.

    Richard Dyer, ‘Kill and Kill Again’, Sight and Sound 7, no. 9 (1997): 17.

  11. 11.

    Summerscale, xxii.

  12. 12.

    Summerscale, xii.

  13. 13.

    Dyer, The Matter of Images, 114.

  14. 14.

    Richard Dyer, Stars (London: BFI, 2008), 126.

  15. 15.

    Dyer, Stars, 127.

  16. 16.

    Murray Pomerance, Johnny Depp Starts Here (New Jersey: Rutgers University Press, 2005), 28.

  17. 17.

    http://www.interviewjohnnydepp-zone2.com/2001 accessed 11\3

  18. 18.

    C. G. Jung, The Archetypes and the Collective Unconscious (Sussex: Routledge, 2010), 167.

  19. 19.

    Coville and Lucanio, 55.

  20. 20.

    Andrew Lycett, Conan Doyle The Man Who Created Sherlock Holmes (Bristol: Phoenix Press, 2008), 179.

  21. 21.

    Coville and Lucanio, 109.

  22. 22.

    Martin Willis, ‘Jack the Ripper, Sherlock Holmes and the Narrative of Detection’, in Jack the Ripper Media, Culture, History, eds. Warwick and Willis (Manchester: Manchester University Press, 2007), 146.

  23. 23.

    Willis, 147.

  24. 24.

    Joseph A. Kestner, Sherlock’s Men: Masculinity, Conan Doyle and Cultural History (Aldershot: Ashgate Publishing Ltd, 1997), 38.

  25. 25.

    Kestner, 2.

  26. 26.

    Amy Taubin, ‘Grabbing the Knife: The Silence of the Lambs and the History of the Serial Killer Movie’, in Women & Film: A Sight and Sound Reader, eds. Pam Cook and Philip Dodd (London: Scarlet Press, 1997), 129.

  27. 27.

    Clover, Men, Women and Chainsaws, 237.

  28. 28.

    Keith Nield (ed.), Prostitution in the Victorian Age. Debates on the Issue from Nineteenth Century Critical Journals (Hants: Gregg International Publishers, 1973), 458.

  29. 29.

    Gates, 133.

  30. 30.

    Freud, On Murder, Mourning and Melancholia, 71.

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© 2016 The Editor(s) (if applicable) and The Author(s)

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Smith, C. (2016). The Detective. In: Jack the Ripper in Film and Culture. Crime Files. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-59999-5_6

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