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Historical and Cultural Context

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Jack the Ripper in Film and Culture

Part of the book series: Crime Files ((CF))

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Abstract

In September 1888 the residents of 29 Hanbury Street were charging an admission fee to view the yard where Annie Chapman’s body had been found. The crowds of people who flocked to the area could buy refreshments from the costermongers who had set up stalls in the area to cater for the influx of people. After viewing Hanbury Street the crowd could move onto Whitechapel Road where a waxworks had opened, using wax mannequins daubed with red paint to depict the victims of ‘’orrible murder’, which could be enjoyed for a penny. The relationship between Jack the Ripper and popular entertainment had begun.

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Notes

  1. 1.

    Peter Ackroyd, London: The Biography (London: Vintage, 2001), 273.

  2. 2.

    Richard Altick, Victorian Studies in Scarlet (London: Dent, 1972), 45.

  3. 3.

    Robert K. Ressler and Tom Shachtman, Whoever Fights Monsters (New York: St Martin’s Press, 1992), 29.

  4. 4.

    Joan Smith, Misogynies (London: Vintage, 1996), 164.

  5. 5.

    John Douglas and Mark Olshaker, Mindhunter Inside the FBI Elite Serial Crime Unit (London: Arrow, 2006), 207.

  6. 6.

    Mary Elizabeth Braddon, Lady Audley’s Secret (London: Penguin, 1998), 143.

  7. 7.

    Ackroyd, 251–253.

  8. 8.

    Mary Spongberg, Feminizing Venereal Disease. The Body of the Prostitute in Nineteenth Century Medical Discourse (Basingstoke: Macmillan, 1997), 39.

  9. 9.

    Lynda Nead, Myths of Sexuality Representations of Women in Victorian Britain (Oxford: Blackwood, 1990), 97.

  10. 10.

    Judith R. Walkowitz, City of Dreadful Delight: Narratives of Sexual Danger in Late Victorian London (London: Virago, 1992).

  11. 11.

    Christopher Frayling, ‘The House That Jack Built’, in Jack the Ripper Media, Culture, History, edited by Alexandra Warwick and Martin Willis (Manchester: Manchester University Press, 2007), 13–28.

  12. 12.

    Fiona McCarthy, William Morris: A Life for Our Time (London: Faber & Faber, 2003), 568.

  13. 13.

    Annie Besant, An Autobiography (Cambridge: Cambridge University Press, 2011), 324.

  14. 14.

    George Fleming, ‘Sir Charles Warren and the Curse of Jack’, in Jack the Ripper: The Terrible Legacy, ed. Sue Parry (Stroud: The History Press, 2013), 81.

  15. 15.

    Stephen Ryder (ed.), Public Reactions to Jack the Ripper (Wisconsin: Inklings Press, 2006), 199.

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Smith, C. (2016). Historical and Cultural Context. In: Jack the Ripper in Film and Culture. Crime Files. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-59999-5_2

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