Skip to main content

Protesting Violence: Feminist Performance Activism in Contemporary India

  • Chapter
  • First Online:
Performance, Feminism and Affect in Neoliberal Times

Part of the book series: Contemporary Performance InterActions ((CPI))

  • 1496 Accesses

Abstract

Bishnupria Dutt returns to the violent events of 16 December 2012, when a young woman, Jyoti Singh, was brutally gang raped in Delhi, India, and later died from her injuries. Dutt examines the popular mass protests and live street performances that followed, especially those by Maya Rayo and Jana Natya Manch (People’s Theatre Front), who have long histories of feminist and leftist activism. Dutt compares these performances with another representation of the Delhi rape events, the commercially successful play Nirbhaya, which toured the major cities of India in 2015. Dutt concludes that as a product of the neoliberal creative economy, Nirbhaya reproduced the hegemonic discourse around rape and failed to capture the immediacy and feminist affect of participatory street protest.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Institutional subscriptions

Works Cited

  • Bhatia, Nandi. 2011. Modern Indian Theatre: A Reader. Delhi: Oxford University Press.

    Google Scholar 

  • Dutt, Bishnupriya. 2015. Performing Resistance with Maya Rao: Trauma and Protest in India. Contemporary Theatre Review 25(3): 371–385.

    Article  Google Scholar 

  • Gardner, Lynn. 2013. Nirbhaya- Edinburgh festival 2013 review. Guardian. 5 Aug 2013. https://www.theguardian.com/stage/2013/aug/05/edinburgh-festival-2013-nirbhaya-review. Accessed 10 Jan 2017.

  • Harvie, Jen. 2013. Fair Play: Art, Performance and Neoliberalism. London: Palgrave Macmillan.

    Book  Google Scholar 

  • Inchley, Maggie. 2015. Theatre as Advocacy: Asking for Its and the Audibility of Women in Nirbhaya, the Fearless One. Theatre Research International 40(03): 272–287.

    Article  Google Scholar 

  • Kapur, Anuradha. 2011. Interview with Bishnupriya Dutt, April 24, Delhi.

    Google Scholar 

  • Mangai, A. 2015. Acting Up, Gender and Theatre in India, 1979 onwards. Delhi: Leftword.

    Google Scholar 

  • Menon, Nivedita. 2012. Rights, Bodies and the Law; Rethinking Feminist Politics of Justice. In Gender and Politics in India, ed. Nivedita Menon, 288–291. Delhi: OUP.

    Google Scholar 

  • Rao, Maya. 2014. Interview with Bishnupriya Dutt, September 3, Delhi.

    Google Scholar 

  • Ridout, Nicholas. 2013. Passionate Amateurs: Theatre, Communism, and Love. Michigan: University of Michigan Press.

    Book  Google Scholar 

  • Spivak, Gayatri Chakravarty. 1996. Subaltern Studies: Deconstructing Historiography. In The Spivak Reader, eds. Donna Landry and Gerald Maclean, 106. New York: Routledge.

    Google Scholar 

  • Subramanyam, Laxmi. 2002. Muffled Voices: Women in Modern Indian Theatre. Delhi: Har-anand Publication.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Copyright information

© 2017 The Author(s)

About this chapter

Cite this chapter

Dutt, B. (2017). Protesting Violence: Feminist Performance Activism in Contemporary India. In: Diamond, E., Varney, D., Amich, C. (eds) Performance, Feminism and Affect in Neoliberal Times. Contemporary Performance InterActions. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-59810-3_9

Download citation

  • DOI: https://doi.org/10.1057/978-1-137-59810-3_9

  • Published:

  • Publisher Name: Palgrave Macmillan, London

  • Print ISBN: 978-1-137-59809-7

  • Online ISBN: 978-1-137-59810-3

  • eBook Packages: Social SciencesSocial Sciences (R0)

Publish with us

Policies and ethics