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Religious Genres

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Part of the book series: History of British Women’s Writing ((HBWW))

Abstract

At first sight, the significant contributions of Victorian women writers to religious discourse seem paradoxical. Barred from university and pulpit, women were excluded from the dominant theological genres of treatise and sermon. They were not allowed to preach in the Anglican Church, and although early Wesleyan Methodists had permitted women’s preaching, it was banned in 1802 and survived in only a few splinter sects of Methodism and in the Quaker meeting-house.1 Indeed, social norms clearly forbade women’s engagement with theological issues, as John Ruskin (1819–1900) noted in Sesame and Lilies (1865): ‘There is one dangerous science for women—one which they must indeed beware how they profanely touch—that of theology’.2

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Notes

  1. For more detail on Methodist women’s preaching, see Deborah M. Valenze Prophetic Sons and Daughters: Female Preaching and Popular Religion in Industrial England (Princeton, NJ: Princeton University Press, 1985)

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  4. Susan Drain provides a fascinating discussion of the way the editors of Hymns, Ancient and Modern changed the dominant philosophy of hymn publishing by enforcing copyright for the first time in her book: The Anglican Church in Nineteenth Century Britain: Hymns Ancient and Modern (1860–1875) (Lewiston, NY: The Edwin Mellen Press, 1989).

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Melnyk, J. (2018). Religious Genres. In: Hartley, L. (eds) The History of British Women’s Writing, 1830–1880. History of British Women’s Writing. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-58465-6_11

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