Abstract
The subject of this chapter is how the process of producing alternative visualities functions as a means to renew ethical discourse. It considers the concept of a posthuman gaze in Lucien Castaing-Taylor's and Véréna Paravel’s experimental documentary Leviathan.
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Grønstad, A. (2016). Bioscreens. In: Film and the Ethical Imagination. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-58374-1_16
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DOI: https://doi.org/10.1057/978-1-137-58374-1_16
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Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-58373-4
Online ISBN: 978-1-137-58374-1
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