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Conclusion: Lost Worlds, Ghost Worlds

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Abstract

This chapter approaches the ghostliness of early cinema from another angle. It is long past and largely lost, only coming to us in an incomplete, fragmentary fashion. This conclusion examines how figures of loss puncture the generally celebratory tone of the documentary The Lost World of Mitchell & Kenyon (2005), and explores Guy Maddin’s web project Seances (2016) as a digital meditation on lost eras of cinema.

Keywords

Double Exposure Silent Cinema Digital Imagery Individual Film Nitrate Film 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Copyright information

© The Author(s) 2017

Authors and Affiliations

  1. 1.CalgaryCanada

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