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What Materials and Resources Are Used?

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Bringing War to Book

Abstract

In this chapter, the materials and resources which authors use in writing military memoirs are investigated. Here, we evaluate the roles played by different documentary and image sources—everything from personal diaries, letters and photographs to official documentation and public resources. We consider the use of these resources in terms of how they enable the memory work which authors undertake at the point of writing about past events, and consider how this memory work may (or may not) accommodate other formally documented or informally-shared accounts during the writing process. We also consider the resources that authors use, both knowingly and unconsciously, in learning how to write in the first place, an idea we term ‘military literacy’. A great many published memoirists have either very limited formal education or education in subjects where the development of creative writing skills is limited or non-existent. Yet, somehow, published memoirists have learned how to write. We use these insights to develop an argument about military literacy which we see as providing a more nuanced explanation of the capabilities of memoirists as writers than is often assumed. We observe that the reading and writing skills that the armed forces develop in their personnel, for reasons of operational effectiveness, have unanticipated consequences.

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Notes

  1. 1.

    Brockmeier, J. (2015) Beyond the Archive: Memory, Narrative and the Autobiographical Process. Oxford: Oxford University Press.

  2. 2.

    Woodward, R., Jenkings, K.N. and Winter, T. (2011) Negotiating military identities: British soldiers, memory and the use of personal photographs. In Hall, K. and Jones, K. (Eds.) Constructions of Conflict: Transmitting Memories of the Past in European Historiography, Culture and Media. Peter Lang, Bern, 53–71. See also Brockmeier’s arguments about a narrative conceptualisation of memory.

  3. 3.

    This idea has been articulated as one of a number of emblematic shifts signifying the emergence of the ‘post-modern’ military. See Moskos, C., Williams, J.A. and Segal, D.R. (2000) (Eds.) The Postmodern Military: Armed Forces After the Cold War. Oxford: Oxford University Press.

  4. 4.

    For an overview, see Gill, D.C. (2010) How We Are Changed by War: A Study of Letters and Diaries from Colonial Conflicts to Operation Iraqi Freedom. New York: Routledge. For an account of enforced diary-writing amongst military personnel, see Huxford, G. (2015) ‘Write Your Life!’: British prisoners of war in the Korean War (1950–1953) and enforced life narratives. Life Writing 12 (1): 3–23.

  5. 5.

    Watson, C. (2013) Between diary and memoir: Documenting a life in wartime Britain. In Stanley, L. (Ed.) Documents of Life Revisited: Narrative and Biographical Methodology for a 21st Century Critical Humanism. Farnham: Ashgate, pp. 107–119.

  6. 6.

    Goodley, H. (2012) An Officer and a Gentlewoman: The Making of a Female British Army Officer. London: Constable and Robinson Ltd.

  7. 7.

    Jolly, R. (1983) The Red and Green Life Machine: A Diary of the Falklands Field Hospital. Reading: Century.

  8. 8.

    Porter, K.J. (2017) Fearless: The Diary of an 18 Year Old at War in the Falklands. CreateSpace Independent Publishing Platform.

  9. 9.

    Parry, C. (2012) Down South: A Falklands War Diary. London: Viking. Inskip, I. (2012) Ordeal by Exocet: HMS Glamorgan and the Falklands War 1982. Barnsley: Pen & Sword. Gillespie, A. (2001) Desert Fire: The Diary of a Gulf War Gunner. Barnsley: Pen & Sword.

  10. 10.

    Kirke, Charles (2009) Red Coat, Green Machine: Continuity and change in the British Army 1700–2000. London: Continuum UK, p. 24.

  11. 11.

    Fieldgate, B. (2007) The Captain’s Steward. Chippenham: Melrose Books.

  12. 12.

    Bury, P. (2010) Callsign Hades. London: Simon and Schuster.

  13. 13.

    Bramley, V. (1991) Excursion to Hell: Mount Longdon, A Universal Story of Battle. London: Pan.

  14. 14.

    Pook, J. (2007) RAF Harrier Ground Attack—Falklands. Barnsley: Pen and Sword.

  15. 15.

    Barry, B. (2008) A Cold War: Frontline Operations in Bosnia 1995–1996. Stroud: Spellmount Ltd.

  16. 16.

    Farthing, P. (2009) One Dog at a Time: Saving the Strays of Afghanistan. New York: Thomas Dunne Books.

  17. 17.

    Dannatt, R. (2010) Leading from the Front: The Autobiography. London: Bantam Press.

  18. 18.

    Macy, E. (2008) Apache: The Man, the Machine, the Mission. London: HarperPress. Macy, E. (2009) Hellfire London: HarperPress.

  19. 19.

    Bruen, B. (1993) Keep Your Head Down: A Falklands Farewell. Lewes: The Book Guild.

  20. 20.

    Tinker, H. (1982) A Message from the Falklands: The Life and Gallant Death of David Tinker, Lieut. R.N. London: Junction Books.

  21. 21.

    Ibid., p. ix.

  22. 22.

    Hennessey, P. (2009) The Junior Officers’ Reading Club: Killing Time and Fighting Wars. London: Allen Lane.

  23. 23.

    Jenkings, K.N., Murphy, A. and Woodward, R. (2016) Photo elicitation and military research. In Williams, A., Jenkings, K.N., Rech, M.F and Woodward, R. (Eds.) The Routledge Companion to Military Research Methods, London: Routledge, pp. 345–356. Woodward, R. and Jenkings, K.N. (2012) Soldiers’ photographic representations of participation in armed conflict. In S. Gibson and S. Mollan (Eds.) Representations of Peace and Conflict, Palgrave. Palgrave Macmillan, London, pp. 105–119.

  24. 24.

    Woodward, R., Winter, T. and Jenkings, N. (2010) ‘I used to keep a camera in my top left-hand pocket’: British soldiers, their photographs and the performance of geopolitical power. In MacDonald, F., Dodds, K. and Hughes, R. (Eds.) Observant States: Geopolitics and Visuality, Routledge, London, pp. 143–166. Woodward et al. (2011) op. cit.

  25. 25.

    Scott, J. (2008) Blood Clot: In Combat with the Patrols Platoon, 3 PARA Afghanistan, 2006. Solihull: Helion.

  26. 26.

    Yates, D. (2007) Bomb Alley: Falkland Islands 1982, Aboard HMS Antrim at War. Barnsley, Pen & Sword Maritime.

  27. 27.

    Preece, S. (2004) Amongst the Marines: The Untold Story. Edinburgh: Mainstream.

  28. 28.

    See, for a discussion of official military history, Hoskins, A. and Ford, M. (2017) Flawed, yet authoritative? Organisational memory and the future of official military history after Chilcot. British Journal for Military History 3 (2): 119–132.

  29. 29.

    Macy (2008) op. cit., Bain, C. (2007) Cold War, Hot Wings: Memoirs of a Cold War Fighter Pilot 1962–1994. Barnsley: Pen & Sword. Pook (2007), op. cit.

  30. 30.

    Bishop, P. (2007) 3 PARA. London: Harper Press.

  31. 31.

    Vaux, N. (1986) March to the South Atlantic. London: Buchan & Enright. Also published in 2007 by Pen & Sword, Barnsley.

  32. 32.

    Ivison, K. (2010) Red One: A Bomb Disposal Expert on the Front Line. London: Weidenfeld & Nicholson. Hunter, C. (2007) Eight Lives Down: The Story of a Counter-terrorist Bomb-disposal Operator’s Tour in Iraq. London: Corgi.

  33. 33.

    Bury (2010) op. cit. Hennessey (2009) op cit.

  34. 34.

    Banks, T. (2012) Storming the Falklands: My War and After. London: Little, Brown.

  35. 35.

    Ivison (2010) op. cit., pp. 158–159.

  36. 36.

    Nordass, G. with Riegel, R. (2009) Commando: A Royal Marine’s Story. Dublin: The O’Brien Press.

  37. 37.

    Lukowiak, K. (1993) A Soldier’s Song: True Stories from the Falklands. London: Phoenix, p. 8.

  38. 38.

    Brockmeier (2015), op. cit.

  39. 39.

    The United Nations Educational, Scientific and Cultural Organization (UNESCO) defines literacy as the ‘ability to identify, understand, interpret, create, communicate and compute, using printed and written materials associated with varying contexts. Literacy involves a continuum of learning in enabling individuals to achieve their goals, to develop their knowledge and potential, and to participate fully in their community and wider society’. UNESCO (2004) The Plurality of Literacy and its Implications for Policies and Programs. UNESCO Education Sector Position Paper. Paris: UNESCO, p. 13.

  40. 40.

    UNESCO (2006) Education for All Global Monitoring Report. Paris: UNESCO, Chapter 6.

  41. 41.

    Nugent, E. (2006) Picking Up the Brass. Enstone: Writersworld. Nugent, E. (2009) The Map of Africa. Monday Books.

  42. 42.

    It almost goes without saying that many of the twentieth century’s most celebrated military memoirists benefitted from high levels of education or involvement in literary circles. This is illustrated in the iconic photograph of T.E. Lawrence lying prone on a camp-bed, reading, on operations in what at the time was British India, sent to Charlotte Payne-Townsend, in turn a friend of LSE-founders Sidney and Beatrice web and wife of the writer George Bernard Shaw. http://telawrence.com/post/8932808277/this-is-now-my-kingdom-my-bed-a-constitutional [accessed 7 September 2017].

  43. 43.

    Dannatt (2010) op. cit. Jackson, M. (2007) Soldier: The Autobiography. London: Bantam. Smith, R. (2006) The Utility of Force: The Art of War in the Modern World. London: Penguin.

  44. 44.

    Thompson, J. (1985) No Picnic: 3 Commando Brigade in the Falklands. London: Secker & Warburg. Clapp, M. and Southby-Tailyour, E. (1996) Amphibious Assault Falklands: The Battle of San Carlos Water. London: Orion.

  45. 45.

    Jolly (1983) op. cit. Clostermann, P. (2004) The Big Show: The Greatest Pilot’s Story of World War II. London: Weidenfeld and Nicholson. New edition.

  46. 46.

    Bury (2010) op. cit. Caputo, P. (1977) A Rumor of War. 2017 edition published by Bodley Head. O’Brien, T. (1975) If I Die in a Combat Zone. 1995 edition published by Flamingo, London. O’Brien, T. (1990) The Things They Carried. London: Flamingo.

  47. 47.

    Murray, S. (1978) Legionnaire. Reprinted 2011 by Sidgwick and Jackson, London.

  48. 48.

    Macy (2008), (2009) op. cit. Mason, R. (1983) Chickenhawk. New York: Viking Press.

  49. 49.

    Nugent (2006) (2009) op. cit. de la Billière, P. (1992) Storm Command: A Personal Account of the Gulf War. London: Harper Collins. Williams, J. (2001) The Rigger: Operating with the SAS. Barnsley: Pen & Sword.

  50. 50.

    For example, Milligan, S. (1971) Adolf Hitler: My Part in his Downfall. London: Penguin. Hands, J. and McGowan, R. (1983) Don’t Cry for Me Sergeant Major. London: Futura. Aldiss, B. (1971) A Soldier Erect. London: Weidenfeld & Nicholson.

  51. 51.

    Manning, F. (1999) Her Privates We. London: Serpent’s Tail.

  52. 52.

    See for example, Ryan, C. (1959) The Longest Day: 6 June 1944 D-Day. Greenwich CT: Fawcett Press. Ryan, C. (1966) The Last Battle. New York: Simon and Schuster. Ryan, C. (1974) A Bridge Too Far. New York: Simon and Schuster.

  53. 53.

    Bramley, V. (2009) Two Sides of Hell. London: John Blake.

  54. 54.

    Lukowiak (1993) op. cit., p. 59.

  55. 55.

    Hennessey (2009) op. cit. Swofford, A. (2003) Jarhead: A Marine’s Chronicle of War and Other Battles. New York: Scribner. Frey, J. (2004) A Million Little Pieces. New York: Anchor Books. Hennessey’s point, with regard to Frey’s memoir, was that there was much to be enjoyed and admired in the style and structure of the book; he recognised that the memoir had been discovered after its publication to be largely fabricated from fiction.

  56. 56.

    UNESCO (2006) op. cit.

  57. 57.

    Asher, M. (2002) The Real Bravo Two Zero: The Truth Behind Bravo Two Zero. London: Cassell.

  58. 58.

    Bury (2010) op. cit., p. 7.

  59. 59.

    For an illuminating account of teaching English literature in military contexts—the US Military Academy, West Point, see Samet, E.D. (2007) Soldier’s Heart: Reading Literature Through Peace and War at West Point. New York: Farrar, Strauss and Giroux.

  60. 60.

    ARRSE: the Army Rumour Service is an Internet forum for discussion of military matters. It is independent of the armed forces and Ministry of Defence, but moderated by former personnel.

  61. 61.

    Hennessey (2009) op. cit., pp. 116–118.

  62. 62.

    The Royal Marines and the Parachute Regiment are both commonly understood as elite forces, and there is a long history of friendly (and sometimes less friendly) professional rivalry between the two.

  63. 63.

    Woodward, R. (2004) Military Geographies. Oxford: Blackwell.

  64. 64.

    McLoughlin, K. (2011) Authoring War: The Literary Representation of War from the Iliad to Iraq. Cambridge: Cambridge University Press.

  65. 65.

    Ibid., p. 93.

  66. 66.

    The term ‘professional vision’ refers to the socially organised ways of seeing and understanding which reflect the distinctive interests of a particular social group. See Goodwin, C. (1994) Professional vision. American Anthropologist 96 (3): 606–633.

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Woodward, R., Jenkings, K.N. (2018). What Materials and Resources Are Used?. In: Bringing War to Book. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-57010-9_6

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  • DOI: https://doi.org/10.1057/978-1-137-57010-9_6

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