Abstract
This chapter analyzes the CBS sitcom Everybody Loves Raymond, running from 1996 to 2005, and highlights the TV genre’s uncomfortable relationship with ethnicity. Despite focusing on an Italian-American family, the sitcom trivializes ethnicity as entertainment, and fails to interrogate crucial aspects of Italian-American history and culture. Only twice in the eight-year run of the show do the characters engage with their Italian heritage, and in both instances the ethnic portrayal lacks accuracy and is reduced to the exploitation of stereotypes and hackneyed images. As a result, the chapter concludes, meaningful engagement with issues pertinent to assimilation and adjustment to US society is not encouraged.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Bodroghkozy, A. 1995. Is this what you mean by color TV? Race, gender and contested meanings in NBC’s Julia. In Gender, race and class in media: A text-reader, eds. G. Dines and J.M. Humez. London: Sage.
Bondanella, P. 2005. Hollywood Italians: Dagos, Palookas, Romeos, Wise Guys, and Sopranos. New York: Continuum.
Brook, V. 1999. The Americanization of Molly: How mid-fifties TV homogenized ‘The Goldbergs’ (and got ‘berg-larized’ in the process). Cinema Journal 38(4): 45–67.
Brooks, C. 2009. Italian Americans and the G word: Embrace or reject?. Time, 12 December. http://www.time.com/time/nation/article/0,8599,1947338,00.html. Accessed 12 Oct 2015.
Everybody Loves Raymond. 1996–2005. Television series. CBS.
Frank, T. 2004. What’s the matter with Kansas: How conservatives won the heart of America. New York: Henry Holt and Company.
Gans, H. 1979. Symbolic ethnicity: The future of ethnic groups and cultures in America. Ethnic and Racial Studies 2(1): 1–20.
Gardaphé, F. 2010. Invisible people: Shadows and light in Italian American writing. In Anti-Italianism: Essays on a Prejudice, eds. W.J. Connell and F. Gardaphé. London: Palgrave Macmillan.
Gray, H. 1989. Television, black Americans, and the American dream. Critical Studies in Mass Communication 6(4): 376–386.
Haenni, S. 1999. Visual and theatrical culture, tenement fiction, and the immigrant subject in Abraham Cahan’s Yekl. American Literature 71(3): 493–527.
Inniss, L.B., and J.R. Feagin. 1995. The Cosby Show: The view from the black middle class. Journal of Black Studies 25(6): 692–711.
Jhaly, S., and J. Lewis. 1992. Enlightened racism: The Cosby Show, audiences, and the myth of the American dream. Boulder: Westview Press.
Kaplan, A. 1986. ‘The knowledge of the line’: Realism and the city in Howells’s A Hazard of New Fortunes. PMLA 101(1): 69–81.
Laurino, M. 2000. From the Fonz to The Sopranos, not much evolution. The New York Times 24 December. http://www.nytimes.com/2000/12/24/arts/television-radio-from-the-fonz-to-the-sopranos-not-much-evolution.html?pagewanted=all&src=pm. Accessed 6 Jan 2013.
Leo, J.R. 1991. Television and the narrative structures of discourse and difference. Journal of Film and Video 43(4): 45–55.
Lipsitz, G. (1992). The meaning of memory: Family, class, and ethnicity in early network television programs. In Private screenings: Television and the female consumer, eds. L. Spiegel and D. Mann, Minneapolis: University of Minneasota Press.
Lotz, A. D. (2005). Segregated sitcoms: Institutional causes of disparity among black and white comedy images and audiences. In The sitcom reader: America viewed and skewed, eds. M. M. Dalton and L. R. Linder. Albany: State University of New York Press.
Mangione, J., and B. Morreale. 1993. La Storia: Five centuries of the Italian American experience. New York: HarperPerennial.
Mills, B. 2005. Television sitcom. London: The British Film Institute.
Sciorra, J. 2008. C’è la luna: Anatomy of Italian-American ‘Folk’ Song”, I-italy, 14 June. http://ww.iitaly.org/bloggers/2526/c-la-luna-anatomy-italian-american-folk-song. Accessed 12 Oct 2015.
Sollors, W. 1986. Beyond ethnicity: Consent and descent in American culture. Oxford: Oxford University Press.
Somers, M.R. 1994. The narrative constitution of identity: A relational and network approach. Theory and Society 23(5): 605–649.
Strickland, C. 1996. Can sitcom make it with L. I. setting?. The New York Times, 1 December. http://www.nytimes.com/1996/12/01/nyregion/can-sitcom-make-it-with-li-setting.html?pagewanted=all&src=pm. Accessed 6 Jan 2013.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Copyright information
© 2016 The Editor(s) (if applicable) and The Author(s)
About this chapter
Cite this chapter
Zangari, S.M. (2016). Everybody Loves Raymond and Sitcom’s Erasure of Difference. In: Arapoglou, E., Kalogeras, Y., Nyman, J. (eds) Racial and Ethnic Identities in the Media. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-56834-2_11
Download citation
DOI: https://doi.org/10.1057/978-1-137-56834-2_11
Published:
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-56833-5
Online ISBN: 978-1-137-56834-2
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)