Abstract
It is crucial to understand Pier Paolo Pasolini’s The Gospel According to St. Matthew: as a “transformation of a biblical text into a filmic medium.” In this first instance of analysis, there is an encounter of an analogy between Althusser and Pasolini. In the previous chapter, I argued that Althusser’s entire philosophical project can be described as an attempt to return to Marx. In this sense, the first line of comparison to be drawn with Pasolini is that his The Gospel According to St. Matthew should be read as the “return to Jesus Christ.” Althusser’s return to Marx took the form of a philosophical reading of (particularly) Marx’s Capital, thus providing pivotal philosophical concepts that would render it meaningful. In this sense, Marx was not a Marxist—a position he himself kept. The same could be applied to Jesus: Jesus could become Christian only retroactively. It always takes another figure to formalize a system of thought or belief by giving it a name (and, thus, meaning). In this regard, both Marx and Jesus Christ become Marxist and Christian, respectively, and only retroactively: from a name, they become a concept.
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Notes
- 1.
Elizabeth A. Castelli, “Introduction: Translating Pasolini Translating Paul,” in Pier Paolo Pasolini, St. Paul (London: Verso, 2014), p. xix.
- 2.
A clarification should be done in order to avoid the usual outburst of criticism: far from defending Islam (or any religion for that matter), one has to point out two important thesis: (1) Muhammad is more of a political leader than the terrestrial representative of God, and in being a political leader, he articulates the conjuncture of his time: exploitation, freedom, equality; and (2) the theological dimension which comes a posteriori obscures the religious dimension of the Islamic emancipatory potential.
- 3.
In the exact same logic, one could imagine applying the Badiousian methodology to Qur’an: rewriting Qur’an in the same way as Badiou rewrote Plato’s Republic. This would be the ultimate proof of Muslim emancipation.
- 4.
Walter Benjamin, “The Author as Producer,” in Reflections (New York: Schocken Books, 2007), p. 227.
- 5.
Deleuze, Cinema 2, p. 173.
- 6.
Althusser, The Spectre of Hegel, p. 225.
- 7.
Ibid.
- 8.
Ibid., p. 226.
- 9.
Slavoj Žižek, “ISIS Is a Disgrace to True Fundamentalism,” New York Times, September 3, 2014. Available online at http://opinionator.blogs.nytimes.com/2014/09/03/isis-is-a-disgrace-to-true-fundamentalism/?_r=0
- 10.
Quoted from François Matheron, Introduction, in Louis Althusser, The Spectre of Hegel, p. xvii.
- 11.
Ibid., pp. xvii–xviii.
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Hamza, A. (2016). Religious Suspension of the Theological. In: Althusser and Pasolini. Palgrave Macmillan, New York. https://doi.org/10.1057/978-1-137-56652-2_22
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