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Conclusion: Toward a Literary Criminology

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Gothic Forensics

Part of the book series: Semiotics and Popular Culture ((SEMPC))

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Abstract

It has been in part the objective of this book to return criminology to its narrative origins—a discipline more naturally paired with literature than as a corollary of sociology as its self-proclaimed father. Literary criminology is not a “school” of criminology per se, like the Positivist School, Chicago School, and others discussed in this book, but instead marks a new paradigm for the study of the criminal mind, criminal investigation, and the confluence of criminal, victims, and the criminal justice system that builds on—rather than rejects—other schools their respective methodologies. In recent years, the shift away from what have traditionally been pedantic, statistically based studies of crime, and the development of increasingly interdisciplinary programs of study at universities—criminology being paired with departments such as anthropology, history, and gender studies in many cases—reflects an overdue appreciation of what Arntfield and Danesi (2016) have coined the criminal humanities.

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References

  • Arntfield, Michael, and Marcel Danesi (eds.). 2016. The Criminal Humanities. New York: Peter Lang Publishing.

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  • Charon, Rita. 2008. Narrative Medicine: Honoring the Stories of Illness. New York: Oxford University Press.

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  • Greenlagh, Trisha, and Brian Hurwitz (eds.). 1998. Narrative Based Medicine: Dialogue & Discourse in Clinical Practice. London: BMJ Books.

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Arntfield, M. (2016). Conclusion: Toward a Literary Criminology. In: Gothic Forensics. Semiotics and Popular Culture. Palgrave Macmillan, New York. https://doi.org/10.1057/978-1-137-56580-8_11

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