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Whose Battlefield Emotion?

  • Mary A. Favret
Chapter
Part of the Palgrave Studies in the History of Emotions book series (Palgrave Studies in the History of Emotions)

Abstract

Reflecting on the chapters organised under ‘The Combatant: Emotional Experience and Writing’ and ‘The Public: Emotional Re-Creation’, Favret notices that many Western European depictions of war in the seventeenth and eighteenth centuries cut emotion loose from the body of the combatant. Like the phenomenon of war itself in this period, feelings move on a large and broad scale: not just on the scale of the military unit, but also to the reading public and beyond, to the imaginary entity of the Nation. Something we might call ‘public’ or ‘national feeling’ is being constructed from the representation of battlefield emotion. The donation of so many arms, legs, heads and hearts that no longer feel feed this more abstract and impersonal sensibility.

Keywords

Eighteenth Century Emotional Experience National Feeling Philosophical Inquiry Reading Public 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Copyright information

© The Author(s) 2016

Authors and Affiliations

  • Mary A. Favret
    • 1
  1. 1.John Hopkins UniversityBaltimoreUSA

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