Abstract
This chapter argues that Indo-Caribbean feminist thought must engage Afro-Caribbean feminist analyses of women’s Carnival performances through a comparative methodology based on minimal incommensurability. By discussing two Indian women’s participation in Trinidad Carnival, and going beyond the trope of chutney-soca as the quintessential Indo-Caribbean Carnival space, I show how their desires and needs as feters and masqueraders can be analyzed through theorizations of feminism in nineteenth century jamette performances by Afro-Caribbean feminists. However, to bring comparative feminist analysis to bear on these ethno-racially distinct groups of Caribbean women, I frame the specificities of Indian women’s feminism within the jahaji-bhain concept, both locally and transnationally.
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Singh, K.A. (2016). Comparative Caribbean Feminisms: Jahaji-bhain in Carnival. In: Hosein, G.J., Outar, L. (eds) Indo-Caribbean Feminist Thought. New Caribbean Studies. Palgrave Macmillan, New York. https://doi.org/10.1057/978-1-137-55937-1_9
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DOI: https://doi.org/10.1057/978-1-137-55937-1_9
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