Abstract
This chapter explores how an Australian day and boarding college for male students between the ages of 10 and 17 partnered with a regional university to explore the Centenary commemoration of WWI through an Australian Government Arts and Culture Public Fund grant. The respective institutions eschewed traditional commemorative options such as statues, honour rolls and community histories and instead utilized a range of arts forms including music, visual art, multimedia and literature to commemorate the Anzac Centenary. This approach allowed for an alternative vision with major outputs including four large-scale dioramas, a six-panel textile artwork, a children’s picture book, a museum display and a sound and light show projected onto the heritage listed main building of the college.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
References
Aprill, A. (2001). Toward a finer description of the connection between arts education and student achievement. Arts Education Policy Review, 102(5), 25–26. doi:10.1080/10632910109600013.
Australian Government. (n.d.). Public grants program. Retrieved from http://arts.gov.au/anzac-centenary/public-grants-program
Australian War Memorial. (n.d.). The dioramas. Retrieved from https://www.awm.gov.au/visit/dioramas/
Bamford, A. (2006). The wow factor: Global research compendium on the impact of the arts in education. Berlin: Waxmann.
Barton, G. M. (Ed.). (2014). Literacy in the arts: Retheorising learning and teaching. Switzerland: Springer International Publishing.
Beaumont, J. (2015). Commemoration in Australia: A memory orgy? Australian Journal of Political Science, 50(3), 536–544. doi:10.1080/10361146.2015.1079939.
Bendle, M. F. (2015, April 26). The Anzacs’ most determined foes. Retrieved from https://quadrant.org.au/opinion/qed/2015/04/anzacs-determined-foes/
Best, J., & Kahn, J. (2006). Research in education (10th ed.). Boston, MA: Pearson Education.
Birrell, B. (2001). Federation: The secret story. Sydney: Duffy & Snellgrove.
Burns, R. B. (2000). Introduction to research methods (4th ed.). Frenchs Forest, NSW, Pearson Education Australia.
Carpenter, D. (2015). School culture and leadership of professional learning communities. International Journal of Educational Management, 29(5), 682–694. doi:10.1108/IJEM-04-2014-0046.
Cohen, L., Manion, L., & Morrison, K. (2007). Research methods in education (6th ed.). Florence, KY: Routledge.
Crotty, M., & Stockings, C. (2014). The minefield of Australian military history. Australian Journal of Politics and History, 60(4), 580–591.
Donoghue, J., & Tranter, B. (2015). The Anzacs: Military influences on Australian identity. Journal of Sociology, 51(3), 449–463.
Eisner, E. (2002). The Educational imagination: On the design and evaluation of school programs. New Jersey: Prentice Hall.
Eisner, E. (2004). What can education learn from the arts about the practice of education? International Journal of Education and the Arts, 5(4), 1–12.
Ewing, R. (2010). The arts and Australian education: Realising potential. Camberwell, Australia: Australian Council for Educational Research Press.
Fischer, G. (2012). The governor-general’s apology reflections on ANZAC day. Cultural Studies Review, 18(3), 220–239.
Frances, R. (2011). Green demons: Irish-catholics and muslims in Australian history. Irish and Christian-Muslim Relations, 22(4), 443–450.
Gibson, R., & Anderson, M. (2008). Touching the void: Arts education research in Australia. Asia Pacific Journal of Education, 28(1), 103–112. doi:10.1080/02188790701849818.
Haidet, P., Jarecke, J., Adams, N. E., Stuckey, H. L., Green, M. J., Shapiro, D., et al. (2016). A guiding framework to maximise the power of the arts in medical education: a systematic review and metasynthesis. Medical Education, 50, 320–331.
Harris, M. (n.d.). Funding the centenary of Anzac [Budget Review 2012–2013 Index]. Parliament of Australia: Canberra, ACT. Retrieved from http://www.aph.gov.au/About_Parliament/Parliamentary_Departments/Parliamentary_Library/pubs/rp/BudgetReview201213/Anzac
Harris, A., & Ammermann, M. (2016). The changing face of creativity in Australian education. Teaching Education, 27(1), 103–113. doi:10.1080/10476210.2015.1077379.
Huss, E., Kaufman, R., Avgar, A., & Shuker, E. (2016). Arts as a vehicle for community building and post-disaster development. Disasters, 40(2), 284–303.
Jeanneret, N. (2009). Learning in the Arts. In C. Sinclair, N. Jeanneret, & J. O’Toole (Eds.), Education in the arts: Teaching and learning in the contemporary curriculum (pp. 13–21). South Melbourne, Victoria: Oxford University Press.
Keddie, A. M., & Mills, M. D. (2007). Teaching boys: Developing classroom practices that work. Crows Nest, Australia: Allen & Unwin.
Kerby, M. (2002). Undying echoes: A history of Nudgee college at war. Brisbane, Queensland: Boolarong Press.
Kerby, M. (2011). Of great and good men: A history of St Joseph’s Nudgee college 1st XV and 1st XIII. Brisbane, Queensland: St Joseph’s Nudgee College.
Kerby, M. (2013). Selling the dream: Marketing an education. International Journal of Pedagogies and Learning, 8(1), 10–17. doi:10.5172/ijpl.2013.8.1.10.
Kerby, M. (2014). Nudgee: A life. Brisbane, Queensland: St Joseph’s Nudgee College.
Kerby, M. (2015a). Nudgee Anzacs. Brisbane, Queensland: St Joseph’s Nudgee College.
Kerby, M. (2015b, October 24). Sound and light show—Catalogue essay. The sound and the fury: Nudgee College showcase evening. Brisbane, Queensland: Nudgee College.
Kerby, M., & Baguley, M. (2010). The importance of being earnest: An inquiry into the complex role of a school-based museum curator. International Journal of the Inclusive Museum, 2(4), 29–39.
Kerby, M., Baguley, M., & Tuppurainen-Mason, E. (2016). Interpreting the ANZAC legacy: Reflexive accounts of artistic practice. Australian Art Education, 37(2), 116 –132.
Lake, M., Reynolds, H., McKenna, M., & Damousi, J. (2010). What’s wrong with ANZAC? The militarisation of Australian history. Sydney: University of NSW Press.
Lingard, B., Martino, W., & Mills, M. (2009). Boys and schooling: Beyond structural reform. Hampshire, England: Palgrave Macmillan.
Mahon, M. (2000). The visible evidence of cultural producers. Annual Review of Anthropology, 29(3), 467–492.
Proust, M. (1992). In search of lost time (Vol 1–6). (C. K. Scott Moncrieff & T. Kilmartin, Trans.): (D. J. Enright, Rev.). London: Chatto & Windus.
Queensland Anzac Centenary Grants Program. (2014). Round one funding application. Retrieved from http://anzac100.initiatives.qld.gov.au/grants/
Ryan, A., & O’Malley, L. (2016). The role of the boundary spanner in bringing about innovation in cross-sector partnerships. Scandinavian Journal of Management, 32, 1–9.
Seal, G. (2011). ‘…and in the morning…’: Adapting and adopting the dawn service. Journal of Australian Studies, 35(1), 49–63.
Southcott, J. (2012). Nationalism and school music in Australia. In D. G. Hebert & A. Kertz-Welzel (Eds.), Patriotism and nationalism in music education (pp. 43–57). Surrey, England: Ashgate.
Sumartojo, S. (2015). On atmosphere and darkness at Australia’s Anzac Day Dawn Service. Visual Communciation, 14(3), 267–287.
The New London Group. (1996). A pedagogy of muliliteracies: Designing social futures. Harvard Educational Review, 66(1), 60–92.
Wright, S. (2003). The arts, young children, and learning. Boston, MA: Pearson Education.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Copyright information
© 2017 The Author(s)
About this chapter
Cite this chapter
Baguley, M., Kerby, M. (2017). Remembrance of Things Past: Historical Commemoration in an Educational Setting. In: Barton, G., Baguley, M. (eds) The Palgrave Handbook of Global Arts Education. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-55585-4_23
Download citation
DOI: https://doi.org/10.1057/978-1-137-55585-4_23
Published:
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-55584-7
Online ISBN: 978-1-137-55585-4
eBook Packages: EducationEducation (R0)