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Jérôme Bel pp 271-280 | Cite as

Dance in Its Post-medium Condition

  • Gerald SiegmundEmail author
Chapter
  • 211 Downloads
Part of the New World Choreographies book series (NWC)

Abstract

Coming back to the piece Gala, the conclusion points out some of the defining features of Jérôme Bel’s contemporaneity. Gala is a concept without a choreographer or a fixed cast. It serves as tool to enable people to dance without the interference of the choreographer Jérôme Bel. Bel’s dance performances have even crossed over to film and the visual arts. They blur both the boundaries of the genres and of medium-specific forms and contexts of their presentation. As dance in its post-medium condition (Rosalind Krauss) assumes the function of a gesture that points toward the body and its gestures that it reconstitutes trying to come closer to the exceptionality of the single dancer. His pieces allow us to come closer to the performers and produce ethical relations towards themselves and their actions.

References

  1. Agamben, Giorgio. 2000 (1992). Notes on Gesture. Means Without End. Notes on Politics, trans. Vincenzo Binetti and Cesare Acarino, 49–60. Minnesota: University of Minnesota Press.Google Scholar
  2. Bel, Jérôme, and Boris Charmatz. 2013. Emails 2009–2010. Dijon: Les presses du réel.Google Scholar
  3. Bel, Jérôme. Gala. Directed by Aldo Lee. 2016.   Google Scholar
  4. Dickinson, Peter. 2014. Cédric Andrieux: With Bel, Benjamin, and Brecht in Vancouver. TDR: The Drama Review 58 (Fall): 162–169.Google Scholar
  5. Krauss, Rosalind. 1999. A Voyage on the North Sea: Art in the Age of the Post-Medium Condition. London: Thames and Hudson.Google Scholar

Internet Source

  1. Forsythe, William. 2017. Choreographic Objects. http://www.williamforsythe.de/essay.html. Accessed 2 Mar 2017.
  1. www.jeromebel.fr. Accessed 18 Oct 2016.

Copyright information

© The Author(s) 2017

Authors and Affiliations

  1. 1.Justus-Liebig UniversityGiessenGermany

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