Abstract
February 28 Peace Memorial Park (renamed in 1996) is a politicized space as its name refers to a massacre in 1947 (Braester 2010, p. 202), a history recorded in City of Sadness (dir. Huo Hsiao-Hsien 1989) but suppressed by the Kuomintang (KMT), which ruled Taiwan after 1949. The site is also associated with a modernist literary text, which serves as the setting for Pai Hsien-yung’s novel Crystal Boys (1983), a story about a group of young gay men in search of sexual and cultural identities in an era when homosexuality was illegal under the then government regime. Pai also wrote a collection of short stories, Taipei People (1971), named after James Joyce’s Dubliners, depicting people who left China for Taiwan when the government of the Republic of China, that is, the KMT, moved to the island.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Bibliography
Abbas, Ackbar. 1997. Hong Kong: Culture and the Politics of Disappearance. Hong Kong: Hong Kong University Press.
Abbas, Ackbar. 2008. ‘Poor Theory and New Chinese Cinema: Jia Zhangke’s Still Life’. Lecture. Critical Theory Institute. University of California, Irvine, CA, 3 December.
Abbas, Ackbar. 2012. ‘Adorno and the Weather: Critical Theory in an Era of Climate Change’. Radical Philosophy 174 (July/August): 7–13.
Augé, Marc. 1995. Non-Places: Introduction to an Anthropology of Supermodernity. Trans. John Howe. London: Verso.
Baudelaire, Charles. 2012. Paris Blues/Le Spleen de Paris. Trans. Francis Scarfe. London: Anvil Press Poetry.
Benjamin, Walter. 1999. ‘Paris, the Capital of the Nineteenth Century’ (1935). In The Arcade Project. Trans. Howard Eiland and Kevin McLaughlim, 3–13. Cambridge, MA and London, UK: The Belknap Press of Harvard University Press.
Braester, Yomi. 2010. Painting the City Red: Chinese Cinema and the Urban Contract. Durbam and London: Duke University Press.
Chang, Ivy I-chu. 2013. ‘The Ruin, Body, and Time-Image in Tsai Ming-liang’s There Recent Films. Chung-wai Literary Monthly 中外文學 42.4: 79–116.
Chang, Sung-sheng Yvonne. 1993. Modernism and the Nativist Resistance: Contemporary Chinese Fiction from Taiwan. Durham and London: Duke University Press.
Cheah, Pheng. 2013. World as Picture and Ruination: On Jia Zhangke’s Still Life as World Cinema. In The Oxford Handbook of Chinese Cinemas, ed. Carlos Rojas and Eileen Cheng-yin Chow, 190–206. Oxford: Oxford University Press.
Choe, Steve. 2009. ‘Love Your Enemies: Revenge and Forgiveness in Films by Park Chan-wook’. Korean Studies 22: 29–51.
Chung, Hye Seung. 2012. Kim Ki-Duk: Contemporary Film Directors. Ed. James Naremore. Urbana: University of Illinois Press.
Chung, Hye Seung, and David Scott Diffrient. 2007. ‘Forgetting to Remember, Remembering to Forget: The Politics of Memory and Modernity in the Fractured Films of Lee Chang-dong and Hong Sang-so’. In Seoul Searching Culture and Identity in Contemporary Korean Cinema, 115–139. New York: State University of New York Press.
Deutelbaum, Marshall. 2005. ‘The Deceptive Design of Hong Sang-soo’s Virgin Stripped Bare by Her Bachelors’. New Review of Film and Television Studies 3.2: 187–199.
Foucault, Michel. 1995. Discipline and Punish: The Birth of the Prison. Trans. Alan Sheridan. New York: Vintage. [Surveiller et Punir: Naissance de la prison first published 1975].
Foucault, Michel. 1998. ‘Different Spaces’. In Aesthetics, Method, and Epistemology: Essential Works of Foucault 1954–1984, ed. James D. Faubion. Trans. Robert Hurley et al., 175–185. New York: The New Press. [Lecture delivered 1967, first published 1984].
Freud, Sigmund. 1991. ‘The Ego and the Id’. In The Penguin Freud 11: On Metapsychology. Trans. and ed. James Strachey et al., 339–408. Harmondsworth: Penguin. [First published 1923].
Jameson, Fredric. 1992. ‘Remapping Taipei’. In The Geopolitical Aesthetic, 114–157. London: BFI Publishing.
Kim, Kyung Hyun. 2004. The Remasculinization of Korean Cinema. Durham and London: Duke University Press. Chapters 7 and 9.
Kim, Kyung Hyun. 2009. ‘“Tell the Kitchen That There’s Too Much Buchu in the Dumpling”: Reading Park Chan-wook’s “Unknowable” Oldboy’. In Horror to the Extreme: Changing Boundaries in Asian Cinema, 179–197. Hong Kong: Hong Kong University Press.
Kim, Kyung Hyun. 2010. ‘Death, Eroticism, and Virtual Nationalism in the Films of Hong Sangsoo’. Azalea: Journal of Korean Literature and Culture 3: 135–169.
Kim, Kyung Hyun. 2011. Virtual Hallyu: Korean Cinema of the Global Era. Durham: Duke University Press.
Lim, Song-Hwee. 2014. Tsai Ming-Liang and a Cinema of Slowness. Honolulu: University of Hawai’i Press.
Lippit, Akira Mizuta. 2004. Hong Sang-soo’s Lines of Inquiry, Communication, Defense, and Escape. Film Quarterly 57.4: 22–30.
Luo, Guan-Zhong. 2014. Romance of the Three Kingdoms. Ed. Ronald C. Iverson. Trans. Yu Sumei. Singapore: Tuttle Publishing. [三國演義 first published fourteenth-century].
Ma, Jean. 2010. Melancholy Drift: Marking Time in Chinese Cinema. Hong Kong: Hong Kong University Press.
Marchetti, Gina. 2005. ‘On Tsai Mingling’s The River’. In Island on the Edge: Taiwan New Cinema and After, ed. Chris Berry and Feii Lu. Hong Kong: Hong Kong University Press.
Pai, Hsien-Yung 白先勇. 1995. Crystal Boys: A Novel. Trans. Howard Goldblatt. London: Gay Sunshine Press. [Original Chinese 孽子 published 1983.]
Pai, Hsien-Yung 白先勇. 2000. Taipei People. Trans. Pai Hsien-Yung and Patia Yasin. Ed. George Kao. Hong Kong: The Chinese University Press, 1999. [Original Chinese 臺北人 published in 1971].
Shin, Kyung-Sook. 2010. I’ll be Right There. Trans. Sora Kim-Russell. New York: Other Press.
Sing, Song-yong. 2013. ‘Tsai Ming-liang’s Visage, or Chinese-Language Film of Trans-Imageness’. Chung-wai Literary Monthly 中外文學 42.3: 73–106.
Sing, Song-yong. 2014. Projecting Tsai Mingling Towards Transart Cinema 入鏡|出境:蔡明亮的影像藝術與跨界實踐. Taipei: Wu Nan.
Song, Song-yong. 2014. ‘Sustained Interwoven Twinkling: On Stray Dogs at the Museum–Tsai Ming-liang Solo Exhibition’. Artist Magazine 藝術家 474 (November): 300–305.
Tambling, Jeremy. 2003. Wong Kar-wai’s Happy Together. Hong Kong: Hong Kong University Press.
Tambling, Jeremy. 2012. Literature and Psychoanalysis. Manchester: Manchester University Press.
Tompkins, Joseph, and Julie A. Wilson. 2008. ‘The Political Unconscious of Park Chan-wook: The Logic of Revenge and the Structures of Global Capitalism’. Post Script 27.3: 69–81.
Udden, James. 2009. No Man an Island: The Cinema of Hou Hsiao-Hsien. Hong Kong: Hong Kong University Press.
Wu, Shu-Chin. 2011. ‘Time, History, and Memory in Jia Zhangke’s 24 City’. Film Criticism 36.1 (Fall): 3–23.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Copyright information
© 2016 The Author(s)
About this chapter
Cite this chapter
Lo, L. (2016). A Cinematic Guide to Asian Cities: Taipei, Seoul, and the Cinema of Destruction. In: Tambling, J. (eds) The Palgrave Handbook of Literature and the City. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-54911-2_42
Download citation
DOI: https://doi.org/10.1057/978-1-137-54911-2_42
Published:
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-54910-5
Online ISBN: 978-1-137-54911-2
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)