Abstract
This chapter begins by discussing the implications of the Anthropocene for literature and literary criticism, and the part which ecocritics can play in critically analyzing cultural representations of our relationship with nature and defining the contribution of imagination, art, and writing to the development of a posthuman identity. Reviewing studies of climate fiction in English and German to date, it traces the emergence of climate fiction as a twenty-first-century genre and presents a brief overview of 25 German novels published since 1993. Finally, it compares the solutions to problems of form and narrative strategy arrived at by Ilija Trojanow in his lament over our destructive impact on nature in Eistau (2011) with those in Cornelia Franz’s young adult novel, Ins Nordlicht blicken (2012).
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsWorks Cited
Literary Texts
Bastian, Till. Tödliches Klima. Riemann, 2000.
Berg, Sybille. Ende gut. Kiepenheuer and Witsch, 2004.
Boeckl, Manfred. Die Einöder. Leben im bayerischen Wald nach der Klimakatastrophe. Ohetaler Verlag, 2007.
Böttcher, Sven. Prophezeiung. Kiepenheuer and Witsch, 2011.
Boyle, T.C. A Friend of the Earth. Viking, 2000.
Brandão, Ignácio de Loyola. And Still the Earth (1982). Avon Books, 1985.
Brin, David. Earth. Bantam Spectra, 1990.
Dirks, Liane. Falsche Himmel. Kiepenheuer and Witsch, 2006.
Fleck, Dirk C. GO! Die Ökodiktatur. Erst die Erde, dann der Mensch. Rasch und Röhrig, 1994.
———. Das Tahiti Projekt. Pendo, 2007.
———. Maeva! Greifenverlag, 2011.
Franz, Cornelia. Ins Nordlicht blicken. dtv, 2012.
Friedrich, Franz. Die Meisen von Uusimaa singen nicht mehr. S. Fischer, 2014.
Gee, Maggie, The Ice People. Richard Cohen, 1998.
Guha, Anton-Andreas. Ende: Tagebuch aus dem 3. Weltkrieg. Athenäum, 1983.
———. Der Planet schlägt zurück. Ein Tagebuch aus der Zukunft. Steidl, 1993.
Hefner, Ulrich. Die dritte Ebene. Öko-Thriller, Goldmann, 2008.
Hutter, Claus-Peter and Eva Goris. Die Erde schlägt zurück—Wie der Klimawandel unser Leben verändert. Droemer, 2009.
Jeschke, Wolfgang. Das Cusanus-Spiel oder ein abendländisches Kaleidoskop. Droemer, 2005.
Kormann, Klaus. Samanthas Traum. Nepa, 2012.
Kracht, Christian and Ingo Niermann. Metan. Rogner und Bernhard bei Zweitausendeins, 2007.
Lehner, Klaus. Natürlich grausam. Hierophant, 2008.
Margolina, Sonja. Kaltzeit. Independent Publishing, 2013.
Neuhaus, Nele. Wer Wind sät. Ullstein, 2011.
Oesterwind, Dieter. Steinerne Glut. Edition XIM Virgines, 2008.
Schätzing, Frank. Der Schwarm. Kiepenheuer und Witsch, 2004.
Sebald, W.G. Die Ringe des Saturn. Eine englische Wallfahrt. Eichborn, 1995.
Stöbe, Norbert. Morgenröte. Heyne, 2014.
Trojanow, Ilija. Eistau. Hanser, 2011.
———. The Lamentations of Zeno. Verso, 2016.
Turner, George. Sea and Summer, Faber & Faber, 1987.
Tuschel, Karl-Heinz. Der Mann von IDEA. Berlin: 33 Jahre nach der Klimakatastrophe. GNN, 1995.
Vorndran, Helmut. Blutfeuer. Emons, 2010.
Wallner, Michael. Die Zeit des Skorpions. cbt/cbj, 2008.
Winterson, Jeanette. The Stone Gods. Hamish Hamilton, 2007.
Secondary Literature
Attridge, Derek. The Singularity of Literature. Routledge, 2004.
Bachmann, Hartmut. Die Lüge der Klimakatastrophe. ... und wie der Staat uns damit ausbeutet. Manipulierte Angst als Mittel zur Macht. 6th ed., Frieling, 2010.
Bloom, Dan. “The Cli-Fi Report,” http://cli-fi.net/
Boykoff, Maxwell T. Who Speaks for the Climate? Making Sense of Media Reporting on Climate Change. Cambridge UP, 2011.
Chakrabarty, Dipesh. “The Climate of History: Four Theses.” Critical Inquiry, vol. 35, Winter 2009, pp. 197–222.
Clark, Timothy. Ecocriticism on the Edge. The Anthropocene as a Threshold Concept. Bloomsbury, 2015.
Crutzen, Paul J. and Eugene F. Stoermer. “The ‘Anthropocene’.” Global Change Newsletter, vol. 41, May 2000, pp. 17–18.
Daniels, Stephen and Georgina Endfield. “Narratives of Climate Change. Introduction.” Journal of Historical Geography, vol. 35, 2009, pp. 215–222.
Dobson, Andrew. “Eco-Apocalypse Novels,” http://www.andrewdobson.com/eco-apocalypse-novels.html
Dürbeck, Gabriele. “Writing Catastrophes: Interdisciplinary Perspectives on the Semantics of Natural and Anthropogenic Disasters.” Ecozon@, vol. 3, no. 1, 2012, pp. 1–9.
———. “Ambivalent Characters and Fragmented Poetics in Anthropocenic Literature (Max Frisch, Ilija Trojanow).” The Minnesota Review, vol. 83, 2014 (Special Issue: Writing the Anthropocene, edited by Kate Marshall and Tobias Boes), pp. 112–121.
———. “Das Anthropozän im zeitgenössischen Ökothriller am Beispiel von Dirk C. Flecks Das Tahiti-Projekt.” Kulturökologie und Literaturdidaktik, edited by Sieglinde Grimm and Berbeli Wanning, v&r unipress, 2015, pp. 83–100. [2015b]
———. “Ökothriller.” Ecocriticism. Eine Einführung, edited by Gabriele Dürbeck and Urte Stobbe, Böhlau, 2015, pp. 245–57. [2015c]
——— et al. “Human and Non-human Agencies in the Anthropocene.” Ecozon@, vol. 6, no. 1, 2015a, pp. 118–136.
Faust, Eberhard. “Globaler Klimawandel, globale Klimakatastrophe: Mythische Elemente in der kulturwissenschaftlichen und medialen Diskussion.” Neutestamentliche Grenzgänge. Symposium zur kritischen Rezeption der Arbeiten Gerd Theißens (Novum Testamentum et Orbis Antiquus 75), edited by Peter Lampe and Helmut Schwier, Vandenhoeck und Ruprecht, 2010, pp. 201–227.
Goodbody, Axel. “Frame Analysis and the Literature of Climate Change.” Literature, Ecology, Ethics (Anglistische Forschungen 432), edited by Timo Müller and Michael Sauter, Universitätsverlag Winter, 2012, pp. 15–33.
———. “Melting Ice and the Paradoxes of Zeno: Didactic impulses and aesthetic distanciation in German climate change fiction.” Ecozon@, vol. 4, no. 1, 2013, pp. 92–102.
———. “Risk, Denial, Narratives, and Images in Climate Change Fiction: Barbara Kingsolver’s Flight Behavior and Ilija Trojanow’s Melting Ice.” The Anticipation of Catastrophe. Environmental Risk in North American Literature and Culture, edited by Sylvia Mayer and Alexa Weik von Mossner, Universitätsverlag Winter, 2014, pp. 39–58.
Heise, Ursula K. Sense of Place, Sense of Planet. The Environmental Imagination of the Global. Oxford UP, 2008.
Hollerweger, Elisabeth. “Die Zukunft grün schreiben oder schwarz malen? Szenarien des Klimawandels in kinder- und jugendliterarischen Future Fictions.” Globalisierung—Natur—Zukunft erzählen. Aktuelle deutschsprachige Literatur für die internationale Germanistik und das Fach Deutsch als Fremdsprache, edited by Almut Hille et al., Iudicium, 2014, pp. 148–163.
Horn, Eva. Zukunft als Katastrophe. S. Fischer, 2014.
———. “Die Zeit des Klimas. Zur Verzeitlichung der Natur in der literarischen Moderne,” http://www.aesthetische-eigenzeiten.de/projekt/klima/beschreibung/
Hulme, Mike. Why We Disagree about Climate Change: Understanding Controversy, Inaction, and Opportunity. Cambridge UP, 2009.
Kerridge, Richard. “Ecocritical Approaches to Literary Form and Genre. Urgency—Depth—Provisionality—Temporality.” The Oxford Handbook of Ecocriticism, edited by Greg Garrard, Oxford UP, 2014, pp. 361–76.
Kluwick, Ursula. “Talking About Climate Change: The Ecological Crisis and Narrative Form.” The Oxford Handbook of Ecocriticism, edited by Greg Garrard, Oxford UP, 2014, pp. 502–516.
Lejano, Raul P. et al. “Climate and Narrative: Environmental Knowledge in Everyday Life.” Environmental Science and Policy, vol. 31, 2013, pp. 61–70.
Liverman, Diana M. “Conventions of Climate Change: Constructions of Danger and the Dispossession of the Atmosphere.” Journal of Historical Geography, vol. 35, 2009, pp. 279–96.
Lowe, Thomas et al. “Does Tomorrow Ever Come? Disaster Narrative and Public Perceptions of Climate Change.” Public Understanding of Science, vol. 15, 2006, pp. 435–57.
Macfarlane, Robert. “The Burning Question.” The Guardian, 24 September 2005.
Maxeiner, Dirk. Hurra, wir retten die Welt! Wie Politik und Medien mit der Politik umspringen. Wjs, 2007.
McGreavy, Bridie and Laura Lindenfeld. “Entertaining our Way to Engagement? Climate Change Films and Sustainable Values.” International Journal of Sustainable Development, vol. 17, no. 2, 2014, pp. 123–36.
Mayer, Sylvia. “Explorations of the Controversially Real. Risk, the Climate Change Novel, and the Narrative of Anticipation.” The Anticipation of Catastrophe. Environmental Risk in North American Literature and Culture, edited by Sylvia Mayer and Alexa Weik von Mossner, Universitätsverlag Winter, 2014, pp. 21–37.
———. “Klimawandelroman.” Ecocriticism. Eine Einführung, edited by Gabriele Dürbeck and Urte Stobbe, Böhlau, 2015, pp. 233–44.
Mehnert, Antonia. “Climate Change Futures and the Imagination of the Global in Maeva! by Dirk C. Fleck.” Ecozon@, vol. 3, no. 2, 2012, pp. 27–41.
Moser, Susanne C. and Lisa Dilling. “Communicating Climate Change: Closing the Science-Action Gap.” The Oxford Handbook of Climate Change and Society, edited by John S. Dryzek et al., Oxford UP, 2011, pp. 161–76.
Murphy, Patrick D. Persuasive Aesthetic Ecocritical Praxis: Climate change, subsistence, and questionable futures. Lexington, 2015.
Nussbaum, Martha C. Love’s Knowledge. Essays of Philosophy and Literature. Oxford UP, 1990.
Pendell Dale, The Great Bay. Chronicles of the Collapse, North Atlantic, 2010.
Rigby, Kate. Dancing with Disaster: Environmental Histories, Narratives, and Ethics for Perilous Times. U of Virginia P, 2015.
Smith, Philip. “Narrating Global Warming.” The Oxford Handbook of Cultural Sociology, edited by Jeffrey C. Alexander et al., Oxford UP, 2012, pp. 745–60.
Soentgen, Jens. “Mythische Formulare der Klimaskeptiker in Deutschland und den USA.” Zeitschrift für Didaktik der Philosophie und Ethik, 2010, no. 2, pp. 72–7.
Suvin, Darko. Metamorphoses of Science Fiction: On the Poetics and History of a Literary Genre. Yale UP, 1979.
Trexler, Adam. Anthropocene Fictions. The Novel in a Time of Climate Change. U of Virginia P, 2015.
——— and Adeline Johns-Putra. “Climate change in Literature and Literary Criticism.” Wiley Interdisciplinary Reviews: Climate Change, 2011, no. 2 (March/April), pp. 185–200. DOI:10.1002/wcc.105
Trojanow, Ilija. “Requiem auf die Zukunft. Wie schreibt man einen Roman über die Klimakatastrophe?” Der Standard, 26th November 2010.
Wanning, Berbeli. “Yrrsinn oder die Auflehnung der Natur—Kulturökologische Betrachtungen zu Der Schwarm von Frank Schätzing.” Kulturökologie und Literatur. Beiträge zu einem neuen Paradigma der Literaturwissenschaft, edited by Hubert Zapf et al., Königshausen und Neumann, 2008, pp. 339–357.
———. “In der Hitze des Raumes. Das Ende der Kultur in Liane Dirks Roman Falsche Himmel.” Literarische Räume. Architekturen—Ordnungen—Medien, edited by Martin Huber et al., Akademie-Verlag, 2012, pp. 273–84.
———. “Klima-Katastrophen. Weshalb Klimawandel (k)ein Thema für die Romanliteratur ist.” Orient im Okzident—Okzident im Orient: West-östliche Begegnungen in Sprache und Kultur, Literatur und Wissenschaft (Cross-Cultural Communication), edited by Ernest W.B. Hess-Lüttich and Yoshito Takahashi, Peter Lang, 2015, pp. 275–86.
Weber, Christoph Daniel. Vom Gottesgericht zur verhängnisvollen Natur: Darstellung und Bewältigung von Naturkatastrophen im 18. Jahrhundert. Meiner, 2015.
Williams, Raymond. Marxism and Literature. Oxford UP, 1977.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Copyright information
© 2017 The Author(s)
About this chapter
Cite this chapter
Goodbody, A. (2017). Telling the Story of Climate Change: The German Novel in the Anthropocene. In: Schaumann, C., Sullivan, H. (eds) German Ecocriticism in the Anthropocene. Literatures, Cultures, and the Environment. Palgrave Macmillan, New York. https://doi.org/10.1057/978-1-137-54222-9_16
Download citation
DOI: https://doi.org/10.1057/978-1-137-54222-9_16
Published:
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-137-55985-2
Online ISBN: 978-1-137-54222-9
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)