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America Moves In: Neo-colonialism and America’s ‘Entertainment Empire’

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Abstract

This chapter examines mid-century British anxieties about the supplanting of colonialism by American post-war dominance. An analysis of Graham Greene’s The Quiet American (1955), David Caute’s At Fever Pitch (1959), DJ Enright’s Academic Year (1955), and Anthony Burgess’s Malayan Trilogy (1956–1969) foregrounds the important role that popular culture plays in the move from formal colonialism to new forms of imperialism that do not rely on conquest. These texts depict post-war decolonization as involving the restructuring of imperial blocs around America, and not as a clearly defined end to imperialism.

Keywords

Mass Culture British Colonialism Imperial Power American Foreign Policy British Writer 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Copyright information

© The Author(s) 2016

Authors and Affiliations

  1. 1.University of LeedsLeedsUK

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