Abstract
Julia Kristeva became and remains a student of Girard’s work, beginning with her doctoral dissertation, published as Revolution in Poetic Language. Girard features in works of paramount significance in Kristeva’s thought—Powers of Horror and Tales of Love—as well as in her essay “Women’s Time.” In its exploration of apocalyptic threats to global survival, Kristeva’s novel The Old Man and the Wolves also reflects Girard’s influence. Always, a sympathetic reader of Girard, Kristeva, sheds light on the question of origins in ways that strengthen the explanatory power of mimetic theory.
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Further Reading
Kristeva, Julia. Intimate Revolt: The Powers and Limits of Psychoanalysis. Translated by Jeanine Herman. New York, NY: Columbia University Press, 2002.
———. Powers of Horror: An Essay on Abjection. Translated by Leon Roudiez. New York, NY: Columbia University Press, 1982.
———. Tales of Love. Translated by Leon Roudiez. New York, NY: Columbia University Press, 1987.
Lechte, John, and Maria Margaroni. Julia Kristeva: Live Theory. New York, NY: Continuum, 2005.
McAfee, Noëlle. Julia Kristeva. New York, NY: Routledge, 2003.
Reineke, Martha J. “After the Scapegoat: René Girard’s Apocalyptic Vision and the Legacy of Mimetic Theory.” Philosophy Today 55, no. 3 (2011): 63–75.
———. Intimate Domain. East Lansing, MI: Michigan State University Press, 2014.
———. Sacrificed Lives: Kristeva on Women and Violence. Bloomington, IN: Indiana University Press, 1997.
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Reineke, M.J. (2017). Kristeva and the Question of Origins. In: Alison, J., Palaver, W. (eds) The Palgrave Handbook of Mimetic Theory and Religion. Palgrave Macmillan, New York. https://doi.org/10.1057/978-1-137-53825-3_6
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DOI: https://doi.org/10.1057/978-1-137-53825-3_6
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